Ltronnika’s highly-anticipated new indie electronic journey brings a stream-of-consciousness melodic progression and delicate, nostalgic tones – Symphonic Dance creatively explores the intricacies and implications of its title, and in the process offers a uniquely structured, instrumentally unpredictable listen.
Singles
Pretend You finely captures the essence of existing somewhere between the familiar and the unknown – a quality apparent in both style and topic. The folk-esque freedom is refreshing, the guitar-play is stunning – and all the more impressive for its humble placing in the mix – and the songwriting is genuinely original.
Instantly likable, catchy and engaging, and beautifully dedicated to a young rockstar named Elton, People Like You is not only a soulful anthem to celebrate the wonder of life, but an evocatively personal look at the happiness one specific person has brought to our protagonist.
Masterfully capturing the essence of the holiday season, Jonathan Tanksley’s instrumental single Holiday Spirit sets the mood beautifully.
Smooth jazz softly allures, as Christina Qu introduces the beautifully original creativity of the sublime new single Bird Falling From The Sky.
Forever walking his own path creatively, D-BLOCH maintains a sense of going against the grain, but balances this with a clearly honed ear for what connects and what engages with listeners. LIKE THAT subtly blends genres, almost feeling like a dance floor-filler at its peak, and offers a relatable story in the process.
John Gusdon as songwriter promises equal parts individual honesty and audience awareness. The result is a collection of a timeless country pop singles that connect and impress as effectively as any mainstream contender.
Pure and precise, compelling in an honest and enjoyable way – everything about James Keen’s music feels authentic and engaging. It’s likable, timeless songwriting, with just enough of a distinct sense of character to warrant the rightful expansion of audience currently taking place.
Admittedly nostalgic for its superb blending of trip hop-style production and that indie vocal twist of character, Time Again follows a single concept and a single lyrical question for the most part, across an expanding tapestry of immersive electronic design.
Those memories that won’t leave, the daydream in direct opposition with reality; the elephant in the room. As the beat hits, Kimberly’s own delivery achieves a mild sense of urgency and passion, and the whole arrangement proceeds to tighten its emotional grip on the listener.
Smilee has made waves throughout the UK scene since the release of her debut single Wavelength back in 2020, and continues to build upon that with both precision and passion as a modern artist.
This time of year always brings back the best melodies and memories combined. A fresh twist on the classic dynamic is more than welcome, and Eddie Wang’s version of It’s Beginning To Look a Lot Like Christmas is a genuine pleasure to let play this season.