Brilliant writing that intrigues and follows its own expressive, long-form melodic pathways – Amy Blanding pairs a jazz-folk arrangement with enchanting storytelling and performative nuance, for the gentle, graceful, and impactful Flooding and the Foam.
Folk
Beautiful songwriting, humble musicianship – piano and a clapped rhythm, raspy vocals and short lines reflecting on war and the painful repeats of history. Patrick McMenamin leads with a voice and writing style that feel evocative, honest, and powerful, for the timeless and passionate folk single The More Things Change.
There’s something about this group of lifelong musicians untied in their passion for evocative songwriting, their humility and heart, their timeless harmonies, melodies, and the sheer passion and modesty combined that intoxicates in a soft, subtle but striking way.
With melody, concept and voice all working in unison as something unique and unexpected, Maini Sorri has crafted something truly special and impactful once again, for Belief.
Something boldly different, by design, intention, timeframe and temperament alike – an avant-garde album noting over 200 original works, and an artistic style grounded by creativity, but otherwise bravely elevated by a fearless sense of eclecticism and refusal to adhere to expectations.
Back to basics, when the programmed devices continue to take over – an essential underground movement that’s thriving, impassioned and impressive. Amos Zimmerman delivers one of the most clever and enjoyable human folk songs of the season, with the brilliant lyrical intrigue and fingerpicked warmth of Lost My Groove.
The slow-burning realism of an acoustic and live performance, a man and his guitar, quietly setting that fireside vibe. Firecamino presents an enjoyable listen to begin with, inoffensive and honest, unfiltered and real. However, the true power of Jerusalem emerges during the song’s immense and mighty second half.
Four incredible songs, not a bad moment, nor one that’s less than great, in my view.
Softly soulful, classic vocals and an equally classic arrangement of strings, keys and modest rhythms – Davis The Singer lets passion and connection guide, for the growing emotional charm and sublime performance of Colors (reimagined).
A great profile of original songs, real vocals and lyrics, real stories from a life lived with passion, presence, and self-awareness. Something different but timeless, poetry and music naturally performed, and with lots of wild and wonderful moments to appreciate.
Authenticity is key, this kind of raw recording style, the live guitar sound and the natural voice – something like Eva Cassidy meets Laura Marling – it’s interesting, unpredictable, but comforting in its humility and introspection.
Real human connection in musical form – an intimate capture, acoustic and thoughtful, honest and unedited. Gibishki introduces a sublime and interesting new album, with the rising passion and distinct identity of 7 Wonders.