Dystopian depth of a crisp and colourful euphoria – an intoxicating electronic cyberbass album, from a producer whose style and process seamlessly intertwine humanity and artificial intelligence. PANOPTICON is the immense new project from KOBRA, and it storms into view with the intense bass, beat, and distorted melodies of the mighty 404//REAL.

AI-AssistedCyberbassDanceDubstepEDMElectronicaHouseProducerSynth WaveTechno

Fallout is ideal as a starting point, a trap rhythm and dreamy keys and synths laying down a haunting, thoughtful aura, as the beat follows a mellow stop-and-start arrangement that naturally gets the mind wandering. The style is cinematic, finely built, with central melodies that feel fresh, and a kind of impending intensity that always lingers amidst these panned, sweeping sounds and effects.

Hip HopInstrumentalProducerRapTrap

Back to basics in a way, but a much needed return if so. Santa Fe captures a moment that’s comforting and awakening all at once, with the raw materials, original melodies, and brilliantly intriguing writing, of Undercut.

Indie PopJazz PopProducer

If you play this track in Spotify, you’re likely to find yourself immersed in an indie realm of algorithmic joy. The song fits beautifully amidst the likes of The Libertines, James, St. Jimi Sebastian Cricket Club, and it also blends pop and rock quite seamlessly, with snappy rhymes and a fully-loaded rock and vocal arrangement letting the music naturally uplift.

Brit PopIndie RockPop RockSongwriter