Simply expressive, beautiful and timeless – atmospheric synth-wave production underlying an intimate alt-folk and RnB fusing vocal. Carl Matah captures something poetically unexpected and powerful, with the breathy wonder and rising emotional weight of Beauty In Stains.
Music
Funky basslines and delicate female vocals, catchy songwriting that’s both long-form interesting and snappy when necessary – Wuzy Bambussy capture the essence of the indie festival freedom; a live band unconfined by genre or label expectations.
Over two decades of experience gracing stages and studios as a devoted drum and bass producer and DJ, Austrian artist DISASZT captures something beautifully original and immersive this time around, with the depth and impressive detail of The Escape.
Nostalgic big rap and boom-bap vibes captured with a certain raw edge of real indie garage music. NekU$AkeN blends something like old-school hip hop with the comedy, character and rhythmic bounce of Bloodhound Gang, for the X-rated anthem Living Like Larry 2.0.
A great profile of original songs, real vocals and lyrics, real stories from a life lived with passion, presence, and self-awareness. Something different but timeless, poetry and music naturally performed, and with lots of wild and wonderful moments to appreciate.
Summer-style vibes with the big-band energy and smart, snappy rap flow to boot – Darco Polo captures attention with ease, blending contemporary and classic qualities, as well as genres, throughout the likes of his addictively entertaining Give Me More.
Sharp bars and smart storytelling, a clean fusion of contemporary references and personal anecdotes – something motivational and evocative, from the stylish indie corner of Hollywood.
Taking us back to the bedroom recordings of eras past – the simplicity and realism of garage demos and honest indie music. What’s On? created the fifteen original tracks of What’s Off? in between studying software development and working fulltime in a warehouse, and it’s an experimental guitar-pop collection of quirky, often catchy alternative jams.
Authenticity is key, this kind of raw recording style, the live guitar sound and the natural voice – something like Eva Cassidy meets Laura Marling – it’s interesting, unpredictable, but comforting in its humility and introspection.
Atmospheric and intimate all at once, lo-fi keys providing warmth, dreamy vocals and playful rhythms adding a trip-hop sense of expressive guidance, as we dive into something unpredictable, ethereal, and boldly imaginative by nature…
Raw and imperfect, unfiltered and free – an artist opposed to AI-made music and as such maintaining a certain human realism that’s all the more valuable for its timing. Vituia gets provocative, dark, poetic, reflective, and bold, throughout a growing collection of free-flowing original tracks.
The project is complex, and fiercely eclectic, but the ideas and emotions resound and reach out, from the boldness of I’m the villain again, its honesty in crying out for help, through the creative highs and lows of a versatile electronic rock and neo-classical playlist. The openness is welcomed, and the passion is clear and concise.