Love It Or Lose It is the brand new album, from which the songs take subtle influence from pop and pop rock, with the likes of Would You promising a nineties-style arrangement with a heartfelt but ultimately confrontational and confident hook.
Albums
When an artist makes music because it’s the kind they actually want to hear, a certain authenticity and heart emerges, which can’t be found in the more methodical, stream-chasing releases more commonly stumbled across.
There are 12 brand new songs on FunkTheAI’s Dive Deep Into Love, and just in case the title and artwork didn’t confirm it – this is a genuine deep dive into all things relating to the power and necessity of love.
Mutevole writes songs from the heart and mind combined, a sort of reactive, freely creative approach to modern music, and the results are mysterious and interesting, musically satisfying, catchy, and cool; to say the very least.
Indie-rock fusion lights up stories and songs by way of an eclectic gathering of talented musicians. Montreal artist Scott Cook promises characterful charm, catchy hooks, smooth melodies and passionate resolves, with the enchanting layers, tones and concepts of Guy Fawkes Day, 1947.
Uplifting African grooves and lush, expressive vocals relay stories of struggle and conceptual, topical depth. Ghanaian Gospel artist and philanthropist Felicia Boadu captures a tropical bounce and heartfelt, gorgeously harmonised musicality, with the unique optimism and storytelling of new album Possible God.
A perfectly titled project, this is feel-good rock songwriting akin to the likes of The Verve and The War On Drugs – sometimes deeply evocative, but always emotionally uplifting, engaging; the kind of passion and melody and groove you can both cry to and celebrate.
WAZZARA capture a sound that’s both beautiful and unsettling, somehow both fierce and deeply calming, with the evocative depth and darkness of their new album ARBOR.
Performative rock theatrics with a dark and poetic undertone – alt-pop and neo-soul from Talon David blends fairy-tale storytelling and scene setting with a brilliantly creative musically, throughout the opening half of a two-part album that is The Villain.
Not just music but something of its own entirely. An audio experience that consumes you in its artistry and fearlessly expressive emotional honesty. Sonic worldbuilder and spiritual alchemist LATASHÁ captures attention in seconds, with the opening raw passion and exceedingly sharp, smart lyrical poetry of Out Here.
Norwegian composer Solveig Sørbø brings together modernity and tradition in a powerful and rather ground-breaking fashion. Creatively exploring the impact of addiction, self-destruction, sexuality and death.
Award-winning Australian composer Dale Cornelius has created a beautifully immersive and deeply evocative, thought-provoking instrumental journey, with the haunting delicacy, depth, uncertainty and occasional euphoric power of What is Carried, What is Left Behind?