Lush new vibes from Australian artist Monstrous bring a calming organic blend of subtle jazz, funk and dreamy trip hop. With intimate vocal depth and quiet reflections on life and the self, Underground is a catchy and distinct symphony of riffs and moments, and it softly contemplates then brightens throughout a smooth and satisfying post-five-minute mix.
EPs
A fine collection of songs, all impressively connected by concept and character, but also versatile enough to make this a nostalgic and hopeful project, from an independent songwriter and musician whose approach blends skill and substance to a compelling degree. Well worth escaping into this season.
The calm becomes awakening, ultimately euphoric, as we’re welcomed by powerful drum hits, additional guitars, distortion, ambient waves of soulful peaks, new riffs, and a fine blend of simplicity and complex human emotions.
DownTown Mystic have long-since been a rock and roll force for a good, and their latest EP features the iconic rock’n’roll hall of fame rhythm section from Bruce Springsteen’s own legendary E Street Band.
Blending smooth and distinct vocals with ambient dance and reggaetón production and catchy resolves, singer and songwriter Chris Axé brings something fresh and evocative to modern Latin music, with highlight tracks from the 2026 album Estación Chris Axé.
Australian songwriter and multi-instrumentalist Justin Bell turns his passion towards the chaos and beauty of neo-classical expression, with the boldness and wonder of the Pestoric five-track EP Space. End. Time.
Four incredible songs, not a bad moment, nor one that’s less than great, in my view.
Husband and wife duo Sapphire Soul keep things organic and honest, with the raw country and Americana recordings of their latest album The Main Attraction.
Summer-style vibes with the big-band energy and smart, snappy rap flow to boot – Darco Polo captures attention with ease, blending contemporary and classic qualities, as well as genres, throughout the likes of his addictively entertaining Give Me More.
The project is complex, and fiercely eclectic, but the ideas and emotions resound and reach out, from the boldness of I’m the villain again, its honesty in crying out for help, through the creative highs and lows of a versatile electronic rock and neo-classical playlist. The openness is welcomed, and the passion is clear and concise.
The inspiration for the project was an envisioned world ruled by a tyrannical regime, within which individuality is deleted, and a revolutionary movement must ignite the final fight for liberation.
Acoustic country warmth and stories of nostalgia and experience, connection and contemplation – Biggy captures a sense of melodic and thoughtful wonder, with the five original songs of Rib and Road.