The melodies that Megan delivers capture that breathlessness, cleverly using her breathing as a part of the instrumentation. The way she wraps her delivery around the sweet anticipation and nervousness as she hits the big notes on the chorus is tantalising and exciting indeed. Faster made my heart beat faster. It’s a brilliant piece that deserves your attention.
The sweet orchestration of the track; the masterful blending of strings and acoustic guitars is reminiscent of singer-songwriters like Boo Hewerdine, erstwhile of The Bible. The percussion elements are a very welcome addition, too – adding a little drive to proceedings – but the major feeling here is one of reflection and contemplation. Dive in and have a soak.
It rocks along, chock-full of character and has swagger to spare. Beholden to a wealth of sounds and songs that you think you can half-remember, it somehow carves a furrow all its own. Excellent fun!
A lot of reviewing is predicated upon making comparisons between the subject and other acts that the readership might know, but with The Lost Millions, this is more of a challenge than usual, and that’s a real feather in their cap.
As the hook hits, as those voices meet, this moment offers a passionate peak that hits with immense impact thanks to contrast and the way the song builds up to it. That resolve works perfectly, and contrast again runs within as the line itself speaks of condemnation – the end, the curtain closing.
As emotional songs go, this one digs right into the heart – dog lovers be warned. The tears may flood, but the song also reminds you to appreciate those still with you. An absolute recommend.
The way the acoustic guitar leads into the beat, bringing through flickers of folk, country and hip hop alike, makes it east to get into the vibe of the track; and to appreciate the creative way in which WAYAL has approached and crafted this release.
Leading with a simple, calming backdrop, and a flawless vocal, the two-minute beauty that is this cover rides tall on the brightness of its own soulful melodic delivery and the detail and structure of the soundscape.
Beginning with an intriguing hit of poetry, followed shortly afterwards by a mildly haunting, slightly Gypsy-jazz like rhythm and soundscape, the song emerges with a decidedly traditional folk aura.
Rob Georg strikes again with yet another completely unexpected yet addictively enjoyable bit of songwriting. A life-long interest in and love for tattoo art is something shared by many, and this song purely and simply exemplifies and celebrates exactly that.
Richard Schroder’s latest release feels like far more of a pop hit than anything purely country – not that either direction is preferable, there’s just a notably accessible and quickly engaging, memorable aura to this song, making it an easy one to relate to and enjoy.
Sunday Morning kicks up with a simple Americana set-up, organic and fairly minimalist to begin with, then you get the leading voice for the verse – the first moment at which the personality and unique appeal of the band starts to stand out.