Is there such a genre as ‘stoner country’? If not, it’s possible that Jesh has invented it! Warm and woozy in the way that a bottle of firewater shared around a campfire on a cold night might be.
In the manner that songwriters before her have crafted similarly captivating journeys – Shania Twain, Sheryl Crow, Taylor Swift – Amanda Jordan has fused a brilliantly uplifting and progressive melody, with a warm and comforting musicality, and a story that seems just personal enough to connect, but also vague enough for listeners to make it their own.
It rocks along, chock-full of character and has swagger to spare. Beholden to a wealth of sounds and songs that you think you can half-remember, it somehow carves a furrow all its own. Excellent fun!
It’s a veritable cornucopia of tunes that all have a different flavour to offer. Dive on in!
It’s warm, fuzzy and comforting as well as accomplished and tuneful. It’s rare to find a song that wears its influences and target so plainly upon its sleeve – it’s a totally refreshing experience.
The classic country and folk-rock energy suits the song’s concept beautifully – that organic purity and the raw and real nature of the performance is gorgeously natural, authentic, and incredibly impressive. An excellent song, close to impossible to dislike.
A lovely lullaby of country pop, sung gently and with its heart on its sleeve. It’s grown up, and measured, but also moving and emotional – as the honesty behind the piece glows through.
All in all, considering the concept, the musical set-up, the melodic development, and the performances, Put You Down Tomorrow is superb – a brilliant song with a well-rooted and genuine sentiment. It’s absolutely no surprise this release is doing so well across the airwaves.
The melodies that Megan delivers capture that breathlessness, cleverly using her breathing as a part of the instrumentation. The way she wraps her delivery around the sweet anticipation and nervousness as she hits the big notes on the chorus is tantalising and exciting indeed. Faster made my heart beat faster. It’s a brilliant piece that deserves your attention.
The sweet orchestration of the track; the masterful blending of strings and acoustic guitars is reminiscent of singer-songwriters like Boo Hewerdine, erstwhile of The Bible. The percussion elements are a very welcome addition, too – adding a little drive to proceedings – but the major feeling here is one of reflection and contemplation. Dive in and have a soak.
A lot of reviewing is predicated upon making comparisons between the subject and other acts that the readership might know, but with The Lost Millions, this is more of a challenge than usual, and that’s a real feather in their cap.
As the hook hits, as those voices meet, this moment offers a passionate peak that hits with immense impact thanks to contrast and the way the song builds up to it. That resolve works perfectly, and contrast again runs within as the line itself speaks of condemnation – the end, the curtain closing.