The UK’s own indie rock three-piece The Hinterland showcase the breadth of their ability as both songwriters and an arena-ready organic band; with a mighty ear for evocative arrangements. Their brand new single Biology offers a melodically charming and finely produced indie anthem, which feels well rooted amidst the influence of some of the UK’s most unique bands.

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For fans of the likes of Orla Gartland through to KT Tunstall, Tales from a Bird’s Bedroom is a gorgeous and rather faultless collection of folk pop songs. The production has a level of warmth about it, which brightens up the organic layers that build each track, and Meels delivers the very best of her songwriting and vocal abilities in a natural and enchanting manner.

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The live and intimate sound of guitar strings sliding between fingerstyle notes and soft folk rhythms – Drucker whispers poetic sentiments and heartfelt melodies into the ears of strangers, with a song inspired by the largely unquenchable thirst for fame.

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Faith speaks out on behalf the value and magic of believing in better – holding onto the light at the end of the tunnel, and staying focused on taking steps towards it whenever things get difficult.

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Prior to the launch of his new anthemic self-titled EP, we caught up with New Jersey songwriter and musician Sleepwalker, to find out more about the music and his journey to this point. Here’s the conversation in full.

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Building up from what feels like a folk-rock anthem in the making, into a piano-led dance-pop realm of higher energy and conceptual inspiration, No Competition ultimately introduces a songwriter with a clear ability to frame ideas in a melodically enchanting way.

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