Even with the eclectic and unpredictable nature of the music on this project, the lyrics are by far the most compelling and fascinating thread throughout it. Prepare, if you can, to feel heart broken, enlightened, uplifted, calmed, and concerned – all within the hour.
Creatively walking multiple lines between raw indie rock and dreamlike shoe-gaze or grunge, James Dean Death Machine presents a notably live sound on this album Leave a Pretty Corpse – inviting the listener to stand front and centre as this rain of bass-lines, beats and vocal grit pours down before them.
The band tick so many boxes when it comes to music as both freedom from turmoil and a blanket of understanding and acceptance.
Love lifts us up in often unpredictable ways, and this album is a testament to that honor. Undoubtedly one of the most eclectic and enjoyable releases of Imbred’s to date.
Let’s start this off with a big thank you to Thomas Resurrection for keeping the gravel and grit of soulful blues-rock alive. DIRTY is one of a few recent releases that present his sound in a memorable yet partly nostalgic manner.
There hasn’t been a track yet from this creative that hasn’t fascinated me, or that hasn’t given off a careful fusion of so many elements that you just don’t seem to come across anymore these days. Absolutely a collection worth exploring.
Imbred’s return this month brings perhaps an even harder hitting display of classic grunge than anything from before. The songs offer a string of single word titles & ideas that provoke a certain level of thinking; personal reflection, consideration of mental health, feelings of isolation & the little things we turn to for relief.
The whole thing builds up from the offset and works hard to surround and embrace its audience. At the final hurdle, The Blackmail Seduction remind you that a real-time gig is the place to be – these songs will undoubtedly explode into new realms of life during a live set. Brilliant songwriting and a pleasure to have fill the room.
Erick Grant offers music fans a stunning set of vocals, the sort that lean back and forth between the almost whispered and the soulful and mighty – even a little reminiscent of Eddie Vedder.
It’s a raw sound, it sounds live – something you don’t get too much of these days. You can hear the band in real time, and the unity between the bass, the guitars, the melody, and the drums – a brilliant performance on the drums – is easy to get on board with.
Stumble upon Increst & be reassured that there are still bands out there pushing for that nostalgic, hard-hitting, emotional & gritty rock sound – the likes of which have felt so out of reach since the days of Pearl Jam & Audioslave.
Whatever opinions you form after hearing just half of any one of these songs, they’re likely to be blown out of the water within a few minutes of hearing whatever else surrounds it. This album is a work of art for modern grunge & rock in general.