For me, tracks like this are few and far between – the vibe is that of an early 2000s alternative rock approach, but the songwriting and personality breathe new life into the delivery; resulting in an independent style that’s honest, provocative, and naturally an earworm.
Grunge
Chris establishes the artistic journey really well, the final section acting as a brief second verse; a momentary return to quiet poetry, before we explode back into the peak of the arrangement, for the mighty and resounding, familiar ache of ‘I’m reminded that you’re not here anymore – As I pull myself from off this floor’.
“We are sponsored by www.fenderaudio.com and will be giving a speaker away next month through our social media.”
Anthemic by design but also unafraid to push the creative boat out further than mainstream officials may recommend, Signature Gold effectively unite alternative and accessible rock and metal with this release, and showcase great songwriting abilities at the same time.
Completing the band’s album trilogy, the highly-anticipated Trails Of Gold wraps up a noteworthy journey for alt rockers Deaf Whale, and yet at the same time, marks a beautifully enchanting introduction to their music.
“It’s almost impossible to write a song that you’re willing to sing over and over forever, but some
songs just feel right and every time you play it you get this tingly magical feeling; like there’s some
strange power in the chords that were chosen, and they way they were played was just meant to
be.”
Always resolving with the simplicity of a poetic and tuneful chorus, Space Meat falls somewhere between the likes of Courtney Barnett, Deftones and PJ Harvey, but makes sure to blend in a subtle twist of mainstream familiarity just in case.
Stylistically and conceptually reflecting on the death of an era, the grip of war and the symbolic destruction of 90’s counter-culture, Denmark’s Jakob The Liar breaks free from the confines of genre, with a track that’s as creatively outrageous and intriguing as its title implies.
Normal Suits are refreshing – not focused on quirks or volume or simple personality, rather showcasing an affinity for the complexities of human emotion and artistic storytelling. That approach is rare in modern music, and should be celebrated when stumbled upon.
Perhaps the central lyrics of the opening track encapsulate the themes of this project best – “You can give your love. You can fuck your hate.” Meet The Beat Holes compiles unique anecdotes and broader topical themes, to ultimately celebrate the freedom of love and the power of personal choice.
An impressive debut, to say the least – a track that begs for you to witness it in a live setting. Purple Crosses intertwines desolation and hope, as it explores the concept of recovery and the overwhelming desire to escape the hellish grip of addiction.
Heavy distortion and softer vocal threads unite for a nostalgic alt-rock sound – Groucho deliver a riff-strong anthem of evocative imagery and melodies, for Blood in the Water.