Loaded with sublime guitar and keys arrangements, simple yet striking, as well as faultless yet expressive vocals of notably eclectic origins, The Only Way Is Up makes for a blissful listen.
Rebecca Cullen
Ritmo toys with the creative space, showcasing a love for the limitless exploration of audio production as much so as a clear affinity for the escapism of instrumental music.
The song gathers momentum with grace and precision, evolving through the ferocity of hard-rock during its central section, with fast-paced guitars and drums colliding to bring us into another creative shift; that of a mildly psychedelic overtone.
These are feelings shared by many, but it’s not often those in the grip of it that offer up the intricacies so freely. ‘Suicide’ brings through hard-to-stomach sentiments and an ultimately harrowing final thought.
JDI-Jay brings together catchy melodic threads, heartfelt intentions and uplifting yet emotive production, for the contemporary alt-pop ear-worm and ode to infatuation Wait.
The unmistakable synth-pop and electronic-rock edge and embrace of MELØ returns this year on a seductive high, for the dark yet charming King Of Nothing.
Piano-led and boldly topical in times of vast disconnection, SnapDibz and Rey collaborate to deeply-moving results, for Slow Down.
Finely-crafted pop-rock with an Americana twist – the EP Pomona delivers four blissfully heartfelt and impressively-crafted singles, and effectively takes listeners back to the heart of organic music.
Imagine something like electro-pop, with an experimental edge of creative composition; and a profound lyrical core.
Atmospheric piano guides us with emotion and melody, into the hauntingly beautiful new single from Rico Friebe.
Brief yet high-octane and both musically faultless and carefree in its authenticity and grit, this punk rock sound is quickly recognisable as The Stereoflowers.
Juxtaposition and a serene, secure design and delivery make the Sweet Limb style forever a thing of its own.