Holy Prophet Elijah is a unique blend of Avant Garde sensibilities mixed with just enough elements of pop to attract the average listener. It’s all incredibly bizarre, but so intrinsically captivating for the very same reason.
If Ackerman’s guitar playing is fire, then Resurrection’s vocal is ice. Down From Above is two opposing forces of nature that have somehow come together to create a seductive piece of art in Where Angels Fall. It’s a beautifully destructive track that’s enticing in its mysterious uncertainty.
Alex E’s Passionfruit is quite possibly the most unusual and unique release to emerge this year. The whole thing is in its own world entirely, seeming to have been crafted from pure and free creativity. For this reason, it captures your attention fairly quickly; and is incredibly easy to recognise.
It’s the strength of that bass-line, that thick riff pulsating throughout – this is what you notice, what you take away with you after listening; what you ultimately miss when the silence comes crashing in.
Teardrops begins with an alluring, yet ambient melody that paints an emotional picture in hues of black and blue reminiscent of a light rainstorm.
1985 is a digitally vibrant collection of songs rightfully inspired by the time offered in its title. The artist Us3r, AKA Kristian, has comprised the project with a certain electronic aura, but within this is an impressive display of songwriting that consistently offers something fresh and new to explore.
Electronic music doesn’t get much more immersive and interesting than this – particularly when crafted to such a unique degree, with the perfectly consistent presence of professionalism and a clear passion for audio escapism.
For a producer of any age this is an easy to escape within collection. For one as young as twelve, I’m excited to hear what the future will bring from Acidic Base.
A fine short collection – unique in its creative freedom yet rhythmically soothing enough to simply let play; evidently on repeat. There are certain traits within each piece that offer a clear level of individuality.
Alien Skin’s fine balance between entrancing rhythms & fragments of provocative ideas is fascinating & gives the listener a strange sense of privilege; as if this exclusive experience has only been had by the lucky few.
Trouble in London is something of a creative audio masterpiece. Precisely the kind of composition that pushes the limits in a pure & naturally emotive way.
This album is made up of an immeasurable number of details & experimental layers of audio. Barendo strikes as both an artist & musician, able to take any sound or collection of sounds & craft something unusual with them. At the same time, there’s a lot of heart & self-reflection in the writing – the chaos of the music doesn’t replace the desire to connect.