Producer Cailo succeeds in crafting her own sound entirely with this latest release. Time And Again is beautiful, an EDM-pop fusion track on paper but something much more eclectic and emotional in essence.
Music
As hard as it is to face, sometimes pain leads to the purest kind of art and music, and this single is up there with the best of them.
Why Can’t We Pretend undoubtedly sees Sharon Lia Band at their most creative and beautifully emotive. Powerful in essence and perfectly well captured so as to let that strength really stand tall.
Do yourself a favor, whether you typically like this kind of music or not, give this album a listen. I guarantee you’ll end up a fan.
Josh Elliott’s creative angle is one of a sort of humble artistry, there’s a story to be told, a feeling to be dealt with, and he lets the music do all of that on his behalf.
The seven-minute epic and blissful journey that is Belladonna kicks off this ambient collection of finely crafted escapism from ImButcher. This entire playlist soon proves itself to be a worthy choice for any evening of introspection or togetherness alike.
With this fine balance between character and skill, and that softly hypnotic rasp to the voice, this project will hopefully fast-track Damian Sage to his rightful position as a widely appreciated artist.
Thirteen Days is a refreshingly thoughtful bit of writing, with a widely accessible folk sound. It’s an easily enjoyable and reflective single, and the video gives it the majestic and soulful visual glow it deserves.
This album sees the rapper really find himself as an artist and produce a sound that’s rooted in his own creativity and sense of character. The 31-track project is immense in content, never wavering and never offering anything that could appear as simply filler.
Richwave manages to fill the room with brightness and an easily enjoyable groove, as well as introducing Dinero Peezy as an artist with a natural connection to and love for the art form; and for this particular fusion of genres. The performance and the music alike speak volumes for what’s to come.
“The March” takes the best parts of grunge and garage rock and mixes them with 70’s prog/psych-rock to create a record that is hallucinatory in nature, but lucid in its experience.
Although he grew up in Germany, Georg embodies the spirit of country music better than most southerners. His lyrics and his stories are the main focus of his music, and This Ain’t My First Rodeo is a perfect example of that.