Holly Zell has something quite special & currently very unique about her writing & her musical approach in general, not to mention an unstoppable, ever-impressive singing voice. So many stages await this kind of talent & genuine love for performance.
Music
Inches From Sin write and perform from the heart, so regardless of genre, it’s a song that connects in a natural, believable way. Furthermore, though the topic is clearly personal & unique in story-line to the songwriters, it’s presented here in a somewhat vague, widely accessible manner.
This album has the power to take you somewhere else for a while – maybe to the lake-side motorcycle festival, or the depths of the West country for an all nighter at the bar with some live bands. It’s a mighty collection & would make for a fitting, refreshing gift for those who’ve almost lost faith in the future of classic blues rock & roll.
Lil Tomahawk offers a laid back approach to modern hip hop, fusing rap and melody in a carefree way that suits the simple echo and loop of the musical backdrop pretty well.
The band seem to be capable of any kind of live show, the performances and the details, the unity between all involved – incredibly impressive no matter the pace or the style of the song.
This album is immense. Even if it were the work of a band, the sheer creative energy, passion & detail is enough to blow so many other rock acts out of the water right now.
Things vary throughout, keeping you interested & creating something genuinely artistic & dramatic before you. It’s an interesting album in a number of ways, but it’s also quite easy to simply let play – a well suited project for those late nights that seem to never end.
Beautiful chaos.. the band succeed entirely in winning you over. For a mere two-track EP, Hectic is an intense & unforgettable playlist of pure musical power. saajtak is a name worth looking out for.
It’s very easy to lose yourself in this moment, in the music, the whispers, and the ideas presented. As described within – We are all a part of it…
Spike’s voice has a traditionally rock-ready tone, so to hear this broken down performance, among talk of the evil of men – it hits with an additional level of pain.
There’s an unusual level of eclecticism on this project – the harder hitting rap tracks contrast cleverly with the more tentative, delicate ones – something you don’t often come across, particularly within such a short project. Flowasis has some big moments & is respectively creative from start to finish.
It’s a raw sound, it sounds live – something you don’t get too much of these days. You can hear the band in real time, and the unity between the bass, the guitars, the melody, and the drums – a brilliant performance on the drums – is easy to get on board with.