The Truth is everything its title implies, softly calling out on behalf of the highs and lows of human struggle, whilst providing an alluring and emotive place to escape from it all for a while.
Producer
Creative composer and sound artist Robert Dilemma openly indulges in self-defined guilty pleasures, for this extensive and uniquely eclectic new project The Soft Parts.
Delicacy of tone in the acoustic finger-picking and a clear sense of quiet contemplation – Estella Dawn gets heartfelt and intimate, with the beautifully-crafted Follow.
One of the most thought-out and devoted, focused indie albums of the year, presenting feelings of heartbreak, fear, awe and excitement in equal parts throughout.
Its versatility is such that the usefulness of its embrace can reach as broadly as from the early morning energiser to the late-night, calm-inducing go-to.
Ethereal beginnings and warped vocal fragments pose a question of provocation and intrigue, as the uniquely genre-fusing, ambient yet haunting and aptly colourful Listen (Taste Your Colors) pours into the room.
Brilliantly produced by JimmyAli, Cheque showcases the very best of the sharp-witted and compelling sound of Mahogany Jones.
An easy choice for escapism this season, and showcases a producer and DJ with the right kind of skillset and musical preference combined to rely upon when music is the only way.
The comfort and escapism of alcohol stands tall in the optimism and brightness of the music, whereas the darker reality of the grip of addiction pours through in the relentless longing and lostness of the lyrics.
Creating purely out of a clear love for the process, BIAS brings both precision and heart to the nature of covering music, and injects an impressive hit of originality in the same instance.
Dreamy production and smooth tones bring together organic melodies and electronic, ethereal overtones, for the quickly mood-setting and catchy late night anthem THATGIRL.
Beginning with the intriguing sound of ambient layering of piano, synth, bass, Intro feels initially like a new-jazz piece, before we’re hit with a relentlessly awakening dance rhythm at just past the half-minute mark.