Rarely before has such an aptly titled and worthy project been released at precisely the right time. This one will see you through the remainder of the lockdown, and will likely light up more than a few club nights and festival sets across the board in the near future. Well worth experiencing.
House
A powerful moment, classically engaging, grabbing hold of the body and the mind all at once – imparting a sense of reality crumbling as this plethora of ideas, sounds, the echo of LSD, rains down and envelops you.
Brilliant, a personal favourite and a whole new streak of talent, intention and unstoppable creativity from producer and DJ Tommy Hart. Versatility is key, and this project has it mastered.
The four-track release that is Don’t Panic, beginning with the industrially heavy yet spacious and rhythmically hypnotic BlackHeart, is everything the classic techno fan might once have been drawn to, and everything the contemporary, alternative EDM fan has been craving in recent years.
“I listen to music 85 percent of the day and I am always listening to different artists. Experimental listening is what helps me gain new perspectives and allows me to begin a project. I’ll take one craze and I’ll try to add my own touch.”
Channeling Avici-style vibes, Take Me Back is an uptempo adrenalin-soaked rush through the sort of nostalgia-soaked lyrical adventures that have done very good business in recent years.
Producer and artist EL Mo3 has taken a creatively free-flowing approach with this latest release, conceptually encapsulating the very nature of embracing sobriety – the intensity & high that can come from life, from music – by means of a chaotically colorful, multi-layered & decidedly alternative dance anthem that refuses to be ignored.
Eight original tracks designed with care, with clear emotion and professionalism combined. Breathe Me In as a complete project is a rewarding journey to embark upon – the perfect choice this summer but also offering a timeless quality with a notable lightness.
I’m not entirely sure whether the lyric was a nod to Billy Taylor’s I Wish I Knew How It Would Feel To Be Free. I really hope it was, I love the cross-pollination of genre present, and this reference would be the icing on the cake. The whole thing is undoubtedly a grower.
For the alternative EDM fan who revels in the high energy, thick and fuzz-soaked weight of the dead of the night on the dance floor, Atonement is everything the scene has been missing for quite some time.
The track ebbs and flows in terms of intensity and energy levels, appearing to breathe in and out, or wash over you in waves of varying detail and depth. Being thoroughly rooted among the dawn of the art-form, the seven-minute-plus journey makes for an easy go-to for dance fans in just about any setting.
Tomorrow’s Child has crafted an audio experience that takes you right into the heart of a classic, cinematic-EDM night out.