Thousand Times’ return this year brings a gorgeously ambient and smooth RnB-fusion track with a softly soulful backbone. Seductively gritty vocals leads the way lyrically and melodically, running alongside a down-pouring of colourful synths and a sort of lightly throbbing energy level.
Singles
There’s a sense of identity to it, those contemporary hip hop layers are still present – the rhythm, the confidence, the leadership vibe and a sense of independence – but musically and indeed in the way POPMFS has structured this, the whole thing speaks volumes for originality and creative freedom.
Cross My Heart sounds beautiful, passionate & musically supreme. It’s memorable in a subtle fashion, not intrusive or irritating to have running through your mind – on the contrary, it feels soothing to consider the loyalty & love at the heart of the song; even with its turmoil & regret – that realness is everything.
Soul City emerges with the easy-going rhythms and subtle organic-electronic ambiance of a Lemon Jelly classic. You can hear every instrumental layer as this crisp and clean building block, and yet at the same time – you can let the entire completed soundscape work its smooth and colourful softness around you in a united wave of warmth.
The song itself leans in a notably soulful direction as things intensify, but this is primarily down to the development of the melody and the sheer effortless emotion and movement of that vocal. An easy beat and plenty of space, a hint of reverb, a flicker of guitar and synth later on – this is all that surrounds the writing and the performance for the most part.
Creatively walking multiple lines between raw indie rock and dreamlike shoe-gaze or grunge, James Dean Death Machine presents a notably live sound on this album Leave a Pretty Corpse – inviting the listener to stand front and centre as this rain of bass-lines, beats and vocal grit pours down before them.
Conceptually on point, dealing with the value of time and its ability to change our perspectives and our understanding of those around us – the song utilises characteristics from a number of musical genres to build a lightly rhythmic yet dreamlike soundscape around you.
Facing Dullness is perhaps the best new song I’ve heard so far this year. It takes a moment to really kick in, the overall sound is fairly familiar – warm and indie-pop-like in nature, but once you really hear it; you can’t un-hear it.
The dramatic, neo-classical design of this hard-hitting dance track makes for something totally energizing and simultaneously refreshing at this time in our lives.
Boo Cat is alternative, for sure – appealing for its edgy weirdness & the way the music & the voices do whatever the hell they need to. At the same time, the melody is undoubtedly something of an ear-worm – I’d be surprised if anyone could walk away not humming at least one line from the song.
Fighting in favour of personal drive and a deep-running desire to succeed, We Up celebrates achievement and rising up within life in a colorful and optimistic manner.
Where artists such as The Weeknd have taken familiarity and fused it with unexpected edge and grit, Abryon seems on the verge of pushing for a similar level of identity.