UK music is fiercely impressive when it needs to be. This year feels important for live music and creativity, and Fierce Friend is firmly a part of that.
Blood Red Hills brings quirky and impressive guitar play, something both dreamy and energising to the scene, with a catchy pop-rock chorus and interesting images and writing all seamlessly intertwined.
A great concept to play with, a unique voice at the forefront, and despite the full-band vibrancy, an acoustic guitar is the lifeblood of the arrangement – something intimate, later evolving through a harmonised crescendo of an observation.
It’s an unusual song, but one that’s grounded by satisfying progressions, comforting chords, and siren-later resounding melodies that rise and fall like waves of joy and uncertainty in equal parts.
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