Emmy-winning composer and singer Cielo Pordomingo has released her fourth studio album and it’s one that offers a uniquely expressive, engaging and beautiful audio journey for its audience.
The artistic threads run deep, and still there are enough moments of melody and rhythm, along with intriguing, bizarre and memorable ideas, to keep it entertaining and holding tight to your attention right through to the end.
Fusing an electronic, somewhat industrial beat with fragments of orchestral strings, topped off with a pair of sleepy vocals and distant hints of intensity and angst, the track is as bizarrely unpredictable as it is cinematically captivating.
Her relentless creativity, unapologetic bluntness, and sincere storytelling are as inspiring as they are wholly original. Once I Was Loved, Acousticmaddie’s latest single, sees her unique style of sound art continuing to push the idea of music as creative expression.
These tracks create rhythmic soundscapes loaded with elements of both tribal and electronic instrumentation alike – as well as fragments of voices that help guide you through and build a notably cinematic experience.
“The March” takes the best parts of grunge and garage rock and mixes them with 70’s prog/psych-rock to create a record that is hallucinatory in nature, but lucid in its experience.
Alex E’s Passionfruit is quite possibly the most unusual and unique release to emerge this year. The whole thing is in its own world entirely, seeming to have been crafted from pure and free creativity. For this reason, it captures your attention fairly quickly; and is incredibly easy to recognise.
By the Way of the Devil is flat out weird, but it’s also genius. Pete Murphy has proven once again that his experimental and unapologetic artistry is truly one of a kind.
Electronic music doesn’t get much more immersive and interesting than this – particularly when crafted to such a unique degree, with the perfectly consistent presence of professionalism and a clear passion for audio escapism.
“This music came to me in a kind of lucid dream, in a kind of vision, a very special kind of trance so to speak. Maybe this music came to me from another world, who knows?”
The clever thing about this is that it takes that key vocal idea & initially uses it to represent a gentle, calming aura. Later on, the very same vocal part suddenly seems much darker & even slightly haunted. It’s a superb way to highlight the power of music & the great effect a change in key & atmospheric elements can have.
An interesting track that doesn’t follow the standard set-up – instead creating around you a sort of experimental, atmospheric moment of artistry that provokes you to think a little more deeply on life.