Funky basslines and delicate female vocals, catchy songwriting that’s both long-form interesting and snappy when necessary – Wuzy Bambussy capture the essence of the indie festival freedom; a live band unconfined by genre or label expectations.
UK--Europe
A great profile of original songs, real vocals and lyrics, real stories from a life lived with passion, presence, and self-awareness. Something different but timeless, poetry and music naturally performed, and with lots of wild and wonderful moments to appreciate.
Good vibes are the beating heart of Randy Sanderson’s original dance tracks. The idea is to bring joy, positivity, optimism – to let people feel truly free from the weight of the world for a while, and that’s precisely what you get from this entire catalogue of music.
New music from the distinct indie corner of organic production that is Willie Alex – Leave Me Or Love Me builds up a secure and recognisable sense of identity, with a selection of layers that feel like both an alternative electronic loop and a live indie rock performance.
Noting years of commitment to making music with authenticity and from the ground up, Willie Alex is a producer with a refreshing realism to his sound. The music is genuine, real, man-made, and that creativity and heart can never be faked. This one consumes you as it pours through the airwaves.
Bite Of The Adder is a taste of Sebastian’s upcoming ode to Nietzsche’s writing – lyrics that draw upon concepts dating back to the late 1800s, and the music is charming, dark, enchanting, and brilliantly unique.
Bright and beautiful indie rock, high energy guitars, bass and drums backing distantly mixed, nostalgic indie vocals – Robin Brown delivers short, snappy lines and precise storytelling, with the melodic charm and uplifting groove of Alone in Sydney.
London’s Dream Delay access something real and profound with this single – a stunning introduction, to an alt-rock act with a clear sense of purpose and songwriting charm that resounds.
UK pop-punk is refreshing in itself, but here we get a fast-paced and catchy guitar riff at the forefront, vocals born to perform in this way, and a hugely anthemic earworm of a hook. Say Less blend nostalgia and character quite seamlessly, for the simple and infectious single Go To Hell.
Vocally unique and recognisable, there’s a raw and distinct tone and character to the sound of ILIA’s voice, and this heavy metal arrangement from the band adds something completely unexpected to the existing anthemic power of Halsey’s original song.
Stunning – simple and honest music, the kind of recording that captures your attention softly and with humility, and the kind of songwriting that feels not designed to draw focus to the performer, but towards a feeling or moment, a series of thoughts; an ambience and mood.
“I remember very clearly the first day being in a studio and when you’re that young, they can’t have you in and out or working all hours. So, I was in the vocal booth (being yelled at for flat notes) for 7 tracks in one day.”