UK songwriter and artist Thomas Carter delivers a fearlessly unique alt-folk sound and song, with the fragility and passion of Sympathy.
UK--Europe
“Instead of feeling tormented by memories, keeping his coffee mug and the sight of his favourite chair, I started to see them as sources of comfort. As a songwriter I like to wrap heavy subjects in a pop sensibility.”
Settle into this one for the evening – lightly reverb-kissed electric guitar, inviting and warm, akin to the kind of playing delivered by Jeff Buckley or James Bay, but a voice and songwriting style that’s a little more distinctly indie-band-like and engaging for its originality.
Without question, you’ve not experienced an album quite like this before, and the musical vibrancy, the fullness and colour, the stories and sentiments, all hold you captive and calmed throughout a brilliantly extensive 27 tracks of sheer imaginative escapism.
From his upcoming album Anything is Everything, set to release August 7th, No Signal brings back Stephon Foster’s unmistakable falsetto RnB vocal, but this time weaves in an immersive floor-filler dance groove, complete with enchanting synths and an upbeat house rhythm, to really inject something fresh into the repertoire.
The darkness of mental health turmoil and a careful, creative fusion of gritty UK rap, DnB, pop and even metal – a refreshingly honest, engaging and original take on AI-assisted production… Alexis Auno captures the essence of mental health treatment and the severity of its failures, with this gripping collection of songs inspired by his fourteen-year-old daughter.
Raw acoustic realism and stories that are easy to connect with – Jack O’Handley captures the fireside warmth and energy of live acoustic folk and storytelling, with the honest and unfiltered Get in the Van.
These are gorgeously emotive vocals, delicate yet with just a touch of essential weight or grit to the edges to hit with impact, and the arrangement is something like dream-pop and indie rock carefully intertwined.
UK music is fiercely impressive when it needs to be. This year feels important for live music and creativity, and Fierce Friend is firmly a part of that.
Funky basslines and live rock energy carves out a band-sound that’s hopefully making a huge comeback this year. The Lucky Angels deliver the distortion, depth and soul required to light up the space, with the solid rock stomp and tone of The world’s for sale.
This classic indie rock anthem is both gentle and impassioned, thoughtful and uplifting, and that natural connection to the songwriting and playing process, along with the band’s extensive years of experience on the scene, is what effortlessly sets The Monumentals apart from most of the indie acts you’ll scroll past during this week’s algorithmic downpour.
Sometimes a song just holds you captive, grips you and moves you to listen more than once – to ponder the world and yourself in a new way for a while. Driver’s Seat does exactly that. Soulful grooves and raw intimate moments are scattered across a complex, provocative landscape of story and sentiment. Melodiva have that something special about their creative process, and it shows.