Massive indie riffs and charming, nearly spoken indie vocals build a quirky and captivating alt-rock sound that’s instantly nostalgic. The Orange Blossoms bring unique lyrical musings together with a distinct performative identity and classic rock guitar sounds, for the brilliantly inspiring album Green Light.
Achieving a somewhat alluring balance between the comfort of familiarity and something a little off-centre or dissonant, Green Light introduces The Orange Blossoms with a song called Avenue A – a work blending post-punk reflections amidst a Strokes-like raw indie passion and rhythm.
There’s even a mildly oriental guitar solo during the latter half, and the band make fine use of their time at the helm – nothing is rushed, nothing is faked, this feels like a true passion project, just creative enough to stand out, but also risen from the ashes of a timeless and largely-missed genre and scene.
Ten original songs make Green Light an indie album must-hear this summer. The production from an iconic Gordon Raphael lets the natural swagger and playfulness of the band stand tall, they have an intimate and non-confronting style, but the lyrics are intriguing, and the instrumentation is a little more sharp and heavy than the voice, which offers a consuming dynamic. God Save The East Village is a fine example of this, and conceptually seeks to dive into the various eras of punk history.
Eclecticism is key, and both the stories and sounds throughout Green Light keep you hooked and interested, and perhaps more importantly, they genuinely entertain you. Consider the softer alternative rise and fall of Your Face Is In Asphalt, or the upbeat optimism and uplift of a beautifully catchy 30 Minutes To Change Your Life. The Orange Blossoms have that something distinct and expressive about their style, and it’s a pleasure to fall into for a while.
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