KC Sisters harmonize beautifully on this refreshing take on The Marvelettes 1960’s classic Please Mr. Postman. It’s a pleasure to hear this song again after so long, especially when it’s been given such a light and lovely makeover.
Music
Impressive, enjoyable from start to finish. It’s so great to have music play that feels ‘Christmassy’ but that isn’t compiled of the same two-dozen songs we hear every year.
The now unmistakable sound of 3mind Blight offers a hint of classic Eminem-style story-telling with this single Another Life. Another impressive, fascinating and brilliantly produced release from the Oklahoma based artist and songwriter.
Combining delicate vocals and deeply thoughtful lyrics, all trickling through among a creative and partly organic partly electronic soundscape, Plastic Teardrops bring the perfect vibe to unwind within; and maybe even ponder the world a little more intentionally.
Pushing the shoegaze boat out far into the creative distance, sweetsoak immerse their sound in lashings of reverb for this latest single – presenting the melodic and rhythmic qualities of rock through a dreamlike wash of warmth and lightness.
You get a notable sense of identity from the sound, and the voice seems inherently connected to the lyrics, so the whole thing just works in the way that you’d hope your favourite band’s music to – each time you return to it.
Bad Bones keep classic rock and roll alive and kicking with this latest album High Rollers. Bursting through with high octane power chords and impressively fast-paced drum work, American Days introduces the project in a bold way.
The religious aspect runs deep within these songs and so for those who want to feel a connection to something greater than themselves, this EP offers a modern and ultimately very heartfelt take on faith and dedication to a higher power.
The various stages of the song each seem to surprise and yet satisfy, suggesting there is hope for the future of songwriting and that there is undoubtedly plenty of creativity left to emerge as 2019 peaks its head around the corner.
Where the majority of dance releases have taken to the modern pop-fusion approach in recent years, this track offers hope. There’s a classic or tribal house vibe to the composition that’s a joy to have rain down around you.
Gentle riffs echo around the outer layers, as do fragments of that recognisable vocal, and meanwhile the beat keeps things moving – subtly, allowing the track to maintain its peacefully chaotic vibe.
Music is in for some immense and positive changes in the near future, rock music in particular, and The Twelve AM are easily a welcomed part of that process.