Following a string of collaborations and subtle shifts in genre, established producer and artist Big O returns to an immersive conceptual pathway this season, with the immensely atmospheric, soulful to funky new album When It’s Not Said, But Done.
From the opening delicacy and cinematic calm of From The Ashes (Rebirth), the contemplative and personal nature of this project is made clear, and as ever, Big O defies expectation with his artistry.
As we then move into the equally thoughtful design of M!dnyght Ryde, this quality continues, but we’re welcomed with a classic mellow groove, a nineties bassline and sway of a beat, with dreamy echoing traits that slowly and smoothly encapsulate the essence of a chilled midnight ride.
With multiple singles already creating notable waves on Spotify, this project breathes new life into the evolution, modesty, and skill of Big O as a renowned and popular indie producer.
What’s In This World is hopeful, gentle and introspective, providing mellow groove and dreamy layers to perfectly accompany the listener’s own individual journey and thought process. Then towards the end of the album, the creative switch-up of A Better (Me) notes a unique drumline, saxophone, and a long-form, soulful melody, and has not surprisingly drawn in tens of thousands of streams already.
Other highlights from the blissful playlist of When It’s Not Said, But Done include the gritty industrial and gamer-liked playfulness of Sounds Of Broken Pieces – a brilliantly-titled work of art, unique but grounded by its rhythm and warmth once again. There’s also something equally industrial and mighty about the upbeat pace and big-band brightness of Still Standing, and conversely, there’s a divine sense of serenity and wonder to the imaginative and soothing Free Spirit.
