New music from an elusive Invadable Harmony once again presents a completely unprecedented audio realm. The White Flame allures its audience in an instant, world music tones and atmospheric whirring asserting a kind of ambient to intense presence all around you.
The sound quietly but confidently dominates the space, later building up through organic stringed and wind instruments, and dramatic but distant rhythmic hits. Vocals pour into view, the aura bewitching, the enchantment immersive as the intensity builds and builds – and all of this is a self-made, solo progression. Invadable Harmony is the composer, the keyboardist, the vocalist and producer throughout.
Then we fall away, simple keys, breathy vocals, no lyrics just feelings – a darker, more eerie mid-section, which captivates all the more strongly for its minimalism and the sudden shifting in pace.
Invadable Harmony is quickly becoming a clear leader in the cinematic audio arena of contemporary design. This music is fascinatingly original, but is crafted around familiar, even timeless intricacies and instruments.
The latter half of The White Flame is delicate, almost haunting, but partly also soothing in its organic, beat-free state. Meanwhile the mind wanders, a journey or story unique to each listener – another calling card of an otherwise unpredictable but ever-compelling Invadable Harmony.
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