Single Stoner’s Club grabs your attention from the offset with short lines, classic vibes, and visually captivating scenes for his new release Hellavah.
Music
Howl! offer such honest ideas & even vulnerabilities, as well as reflections on life, love, and everything in between – all while continuously impressing musically & vocally. The sound is everything it needs to be, and a live show would almost certainly prove unforgettable for contemporary & classic rock fans alike.
Charles Ryan Davis has mastered the art of turning acoustic simplicity into an absolute performance – emotional and captivating, brilliantly skillful. A live show would be superb, though sadly Charles Ryan Davis doesn’t perform. In a way, this makes this playlist all the more enjoyable – it feels like a rare appearance, a one-of-a-kind chance to escape into something truly unique.
ARY/Orchard/Sony music artist Andrew Young leads with a fine fusion of vintage RnB vibes and contemporary dance-pop with this latest single.
The gradual instrumental build-up supports yet another of Sid’s simple yet stunning melody lines, the whole thing designed to slowly but surely envelop and engage you, creating a series of moments that increasingly lift you up and remind you to be thankful for every day you get to spend with those you treasure.
Watch Out For Me is a great song, with a mighty hook. The whole thing is familiar yet refreshing, skillfully crafted and beautifully, stylishly performed. An incredibly impressive debut, with an equally intriguing, dark yet confident accompanying video.
There’s a certain caliber of artistry represented here that extends skyward without limits. Poetry and societal or political relevance intertwine in again subtle manners that slowly but surely paint a clear and striking picture before you. Meanwhile, oppression and struggle are represented visually by various characters locked in fist fights that edge their way around the building.
Leading with that same simple swagger and calm sense of awareness and intelligence as rappers such as Homeboy Sandman, A.C.E introduces himself as a clearly capable and compelling new artist, with a classic musicality yet a conceptually fresh approach to writing.
Thanos’ writing style is increasingly conceptual, poetic, and provocative, throughout this EP. He’s a master of finding the right way to say things, simple yet captivating, and the right melody to really drive it home.
Always one to bend and even break the rules in music, Like Lions pushes through the confines of genre and style, leading with a concept and an inherent desire to craft something unique and meaningful. U Got Me makes for a strong testament to precisely these qualities.
Some Kind Of Voodoo opens up the playlist and kicks things off with a bang, seeing the band fuse a structurally complex and somewhat grunge-like aura with a melodic development and leading vocal that feel way more prog-rock and performance-based than anything else.
While the instrumental set-up feels reminiscent of the likes of Portishead or The xx, the vocal line adds a level of volume and intensity. It’s a powerful performance, one that takes the song from quietly compelling to incredibly emotive and decidedly uplifting.