Showcasing a quickly entrancing melody, and an underlying concept that sees the artist get deep and personal about love and perspectives within relationships, heartbreaks (& heartaches) offers up a journey through precisely the ups and downs implied by the title.
Singles
Former US Marine Jayq the Legend offers up a summer classic with this fine fusion of pop, hip hop and alternative dance-hall rhythms.
Liu Kang undoubtedly sees Mayer at the top of his game. The track emerges as an alternative anthem, a go-to that rains down with uplifting beauty & melodies that entrance. At the same time, there’s a consistent sense of intention to the song, lyrically & indeed in the passion you can hear throughout the vocals.
Richard Schroder’s latest release feels like far more of a pop hit than anything purely country – not that either direction is preferable, there’s just a notably accessible and quickly engaging, memorable aura to this song, making it an easy one to relate to and enjoy.
Inanna brings back a decidedly retro electro-pop sound with this latest and debut single. Initially channeling elements of Bjork and Madonna alike, Nefertiti XXI soon goes on to become something of its own entirely.
An awesomely intentional, hard-hitting and brilliantly authentic rock track, from a band who we should all be grateful are making their way back on to the world’s music scenes.
Utilizing creative freedom yet again, offering an alternative pop-rock anthem with a quiet verse vocal that intrigues from the offset, Reigning Nonsense is as multi-layered and colourful as it is conceptually intentional.
Sunday Morning kicks up with a simple Americana set-up, organic and fairly minimalist to begin with, then you get the leading voice for the verse – the first moment at which the personality and unique appeal of the band starts to stand out.
Whatever it is that makes for a beautifully warming and poetic pop-rock ballad, Something Beautiful Won’t Come Out has undoubtedly found it.
The Stifftones have chosen a quiet and genuine setting for this because the song itself is one that deals with personal, reflective ideas – a sense of being far away, isolated or alone.
Microcosms stylishly tumble through the speakers for this single, showcasing chaotic indie rock riffs and a grunge-like leading voice that sees the track slowly but surely gather strength and momentum as it fills the room.
Fusing a clear skill and passion for production with a quickly energizing and entrancing style of songwriting, The End Of The World emerges as a partly organic gathering of influences and moments, rising up slowly but surely towards an engaging and easily memorable hook.