Fearlessly exploring different styles and organic musical options is a clear trait of the billzee repertoire, no doubt indicative of an impressive live show as and when the tour happens.
Singles
On top of his DJing background and extensive collection of a original compositions, Mateus Machina also made waves recently with his live improvisation video uploaded to YouTube – within which the musician impressively freestyles on the synths to craft a brand new track in real time.
Balancing lightness and darker vibes throughout a euphoric and complex yet calming arrangement, producer and artist Reefs delivers a uniquely hypnotic, immersive audio journey, for Home.
Ambient initially, before finding its industrial roots amidst a tribal groove and cascading electronic synths, Moth features a distorted melodic pattern in its first quarter – sort of dark trip hop with a twist of heavier late-night vibes.
Country-rap crossover artist Livvy D encapsulates precisely the vibes implied by the title of her latest single.
Prior to the release of their brand new EP, Metalcore outfit VOIDS deliver the instantly explosive yet intricately crafted single Captive.
Vivid imagery and quirky storytelling meet with colourful production and immersive design – Azure Kai returns with the conceptually memorable, smooth and catchy The Cakepop Song.
Blues rock to capture the soul and elevate the mood of the room – the UK’s own Jackson Kayne brings seductive vibes and organic musicianship to the modern scene, with the infectious Oh Honey Please.
From melodic ambiance to contemporary production, Vanelladee captures emotion and stylish design with an immersive overall vibe, for Brand New Tune.
Dead Hendrix and Yungcudii capture the sound of the moment, with a clever and catchy hook, immersive production, and deeply personal bars, for MUSTANG.
Joyfully encapsulating the weight of daily frustrations, songwriter and performer Wai Lana delivers the fearlessly colorful, catchy and unexpectedly gripping single River Of Forgiveness.
The infamous events of November ’63 still reappear throughout literature, film and conversation, and the way Mutton Xops has framed the whole discussion adds a little more nuance to proceedings.