Great production, gorgeous vocals, genuine heart in both the soundscape and delivery. An easy hit to lift the mood during this latter half of the year.
Rebecca Cullen
Bold by design, fast-paced and colourful, vocally distant yet intense in pace and flow, the track blends the confidence of hip hop with the organic embrace of a live-band.
Catchy yet contemplative to a bold and poignant degree – the perfect closing track for the album, and a fine introduction to a rapper with both talent and intelligence at the forefront of his work.
Lo-fi good vibes and smooth yet confident vocals craft an arena of consistently relevant ideas – rhythmic hip hop of precise and hypnotic origins.
Roddy. B paints an image of heartache and uncertainty with a decidedly vulnerable yet stylish Ultralight.
A stylish bit of tech designed to react to and translate the movements of your body into studio-ready audio clips.
“No matter how much I evolve as an artist I will always try to maintain that relationship with my fans.”
Loaded with good vibes, crisp and faultlessly skilful production that brings through the best of the groove and the heart of the mood in every case, the project highlights the absolute professionalism and focus at the centre of Blvff’s limitless work ethic.
Retro electronica with big beats and multiple layers of synths raining down all around – EileenNoise and Anna Awe join forces for the surprisingly soulful, hard-hitting electronic rock track Have It All.
“Imagine you are in an Art Gallery with all those 8 pieces of Music which are on exhibition, and then as catalog you get the album instead of a written catalog.”
Talking on substance and heart in the art of making music, the lyrics and the intentions of the project speak volumes, and introduce the rasp and style of Scoob Rock in a bold and likeable way.
A minimalist vocal anthem that’s clearly in tune with the sound of the moment but also marches to the beat of its own creatively carefree drum.