Creative duo Paulsen-Shepler engage with melody, concept and design united, throughout their brand new EP Undertow.
Rebecca Cullen
All at once poetic and personal, loaded with imagery and backed by a meandering melody that resolves well at the end of each line, The Road Is Callin’ takes no time at all to feel like a timeless country classic.
Introducing a fresh take on contemporary hip hop, rapper and artist T3MPO TAI connects and impresses, with the catchy and deeply reflective single Too Much.
Softly euphoric synths meet with an equally gentle, breathy vocal melody that’s instantly alluring – Iman Flow captures a style between styles, for the exotic Carta.
Within moments the unique vocal stylings and this fusion of classic dance rhythms and soulful fragments with the sheer rap energy is unmistakable, and this quality runs throughout the album.
Skilfully balancing delicacy of concept and vocal humanity, with the outright pace and heavy presence of high-octane EDM, CALISTETIK delivers a timeless dance hit, for Live Forever.
Rhythm guides as a heavy dance beat strikes up the energy and pace of this collaborative and aptly-titled single.
Turn this one up loud – t.Roy & the Smoking Section capture the mood beautifully, for the aptly-Americana-soaked anthem Southeast Texas Son.
Fearlessly toying with the very fabric of audio creation, alt horrorcore artist Ten-Headed Skeleton kicks off a devotedly specific album, with an indefinable style that’s both unorthodox yet strangely captivating.
Nostalgic dance-pop flavours and an unmistakable vocal identity guide us into this melodic and thought-provoking single from Joseph Rutakangwa.
Mastering wordplay throughout an extensive and smart progression, Lord Fuego Flame impresses for his long-form bars and the catchy, unorthodox and passionate hook, of Diamonds.
Despite the unarguable infamy of the sampled song, D-BLOCH manages to truly make this his own