Evocative and poetic from start to finish, WIN proves brief at two-minutes nineteen, but hits with impact for its unorthodox presentation and the two-part melodic presence of this verse-chorus set-up.
Music
Ten original tracks make up the project Moods, consistently eclectic and increasingly engaging. Jake Holder stands out as an intriguing songwriter, crafting works that fall somewhere between Radiohead and Bob Dylan.
An acoustic backbone wrapped in colourful synths, keys, rhythms and harmonies – Aza Brown’s upbeat songwriting and purity as an indie artist shines brightly.
Achieving a likable balance between the electro-immersive dream realm and the more intimate singer-songwriter musings of indie pop, True Vacation present an irresistible arena of sound.
Fully-loaded electronic production blends ethereal synths and trap rhythms, as artist and songwriter x ohh delves into the conceptual depths of the mind, for COMMS.
Capturing attention from the outset with crisp guitars, drums, and the unignorable opening line “There’s something creepy in the next room…” – John Consalvo returns with a bang
Delightful country-folk musicianship, conceptual purity and depth of voice present a refreshingly original collection of evocative songs, as the UK’s own John Jenkins releases a brand new full-length solo album.
The entire first half blends genres with fearless conviction, not simply hip hop nor trip hop nor anything else – its own envisioned take on the inspiring concept of rising up from darkness towards the hopeful realm of dreaming.
Anthemic for its infectious hook repeat but also mood-setting for its ambient verses and the flow and story that emerge here, Gbemilo is easy to escape into.
Experimental electronic sound-play rains down with darkness and intrigue, as the unique performer and artist Tate Pouncey introduces a distinct style, with plenty many man.
Re-crafting an instant anthem that rightfully boasts close to a hundred thousand streams on Spotify alone, organic piano and catchy, high-energy bars unite, for the funk-infused and infectious Never Drinking Again.
Warm production lights up acoustic finger-style guitar and heavy yet mellow bass, as Shannon Shea introduces the folk contemplations and images of Card Castle.