Musically brilliant, rising up from delicacy to weight, from mellow spaciousness to full-throttle vibrancy and volume – Coyote Kid are unmissable. Listen loud.
“Sufjan Stevens was a huge inspiration. So I began bleeding that with folk sounds like Mumford or Lumineers. I also spent a lot of time listening to speaches by Alan watts.”
Delicately rhythmic and intimate production meets with softly emotive vocal work, deeply human lyricism, and a quiet rain of detail; building atmospheric bliss and ultimately offering powerful respite from the weight of the world.
Out of the depths of artistry and human thought, out from behind the bright colours and the iPhones and the ‘neverminds’, the UK’s own musical wizard that is Dizraeli re-emerges from his creative cave.
The careful hints of emotion that Lily injects into her performances help really bring the lyrics alive, letting them connect on a profound and lasting level. This is the kind of escapism that embraces the darker parts of life and somehow turns them into a strangely warming arena of understanding.
Charles Ryan Davis has mastered the art of turning acoustic simplicity into an absolute performance – emotional and captivating, brilliantly skillful. A live show would be superb, though sadly Charles Ryan Davis doesn’t perform. In a way, this makes this playlist all the more enjoyable – it feels like a rare appearance, a one-of-a-kind chance to escape into something truly unique.
There’s a certain caliber of artistry represented here that extends skyward without limits. Poetry and societal or political relevance intertwine in again subtle manners that slowly but surely paint a clear and striking picture before you. Meanwhile, oppression and struggle are represented visually by various characters locked in fist fights that edge their way around the building.
Contrast is utilized well throughout this song, there are indeed instances of peacefulness and folk purity, but these are more often than not followed up by those which strike as a little darker.
To hear this fusion of influences is massively refreshing right now. Louie Lahana is undoubtedly talented, freely creative, provocatively thoughtful, and immensely interesting.
The Live Sessions is music for music’s sake, and if mainstream culture has made you forget what that sounds like, Torelli and the Fuse are here to remind you.
It is absolutely possible to write original songs in this era, the sort that draw no comparisons but feel completely expressive and fresh. Chantitown proves that consistently with this project.
Spoken word snippets continue to appear throughout, the whole thing is a performance – a short piece of theatre. Every detail has been carefully incorporated.