‘You’ll never get your hooks in me,’ sings Huff. That may be so, but these tunes have ensnared me from the outset. It’s mainly the obvious joy at their creation, and the opportunity to show off their wares that has got me so enthusiastic. Fantastic!
USA
Tend The Fire is a slow-building slice of Americana that adds more and more elements as it progresses. Don’t Keep Me Waiting is a cover originally recorded by McKendree Spring in 1972.
Both tracks are anthem-like by nature, both completely unique from one-another, yet still underlying that lyrical prowess and ever-evolving flow that runs throughout his work.
Beautifully fusing a well-known, riff-led ambiance with a smooth yet raspy, light vocal delivery, walking the line between indie-pop and hip hop, Shy Troy is quick to leave an impression with this latest release.
There’s an artistic whole at work, every layer building further on the ideas and the poetry within, and for all of these reasons the song is a pleasure to lose yourself in for a while.
Chad Rico showcases both a love for hip hop – wordplay, rhyme, rhythm – and music as a more general art form and means of expression.
“You never know what listeners take from your song but, I intended to portray life as something that is not fixed in time or outcomes and that like a journey there are some things that are not under our control but other things that are and it’s these that we should focus on.”
Following the release of his brand new short film Falling Sky, we were blessed with the opportunity to interview artist, actor and director Mike Anthony to find out more about the project and what’s driving him to create in such a way. Here’s the conversation in full. * * * Hi Mike – thanks for … Continued
ITCH are a band you’re going to want to scratch again and again. Fearlessly inventive and full of vim and vigour, musical nous and style. Go for it!
The Other Side Of Love showcases a distinct set of qualities that appeal on a deep and addictive level. The opening guitar delicacy, the gentle rasp and increasing passion of the leading voice, the poetic and thoughtful lyrics, the rising intensity, the eventual raw rock energy; all of this works gorgeously within.
Without doubt, a personal favourite from the Dingazz Music catalogue to date, and a gorgeous song regardless of genre or style – a perfectly calming reminder that things will be OK in the end.
As a producer, speakea𝟝y describes his music as ‘angsty millennial type beats’. Perhaps this is the perfect way to define his approach, but there’s far more to the sound and experience of this project than a simple four-word phrase can express. Depth and substance play a huge part, lyrically and in terms of the emotion and mood that each soundscape presents you with.