“We all started off somewhere, just don’t be ashamed if you’re not really buzzing right now and get the actual exposure you need. It’s what most artists lack.”
USA
The track works hard structurally, and Annika as a leading lady works equally hard to maintain that level of smooth & simple good times. The song is not overly optimistic or loud, far from it – there’s a subtlety to the warmth & enjoyment it drives with, and this is a big part of why it works so well & is likely to appeal on a much broader level.
Mute Davinci doesn’t hide behind anything – the music and the lyrics work as a unit to portray a sense of realness and purity. Even when effects come into play, they’re artistic choices – not something included just to sound relevant or to overcome a bad vocal; far from it. Mute’s voice works well in just about any setting.
There’s a certain passionate depth to the writing, and the featured singer handles and presents this with an air of realness. Behind the vocal though, the soundscape is decidedly complex, unexpectedly detailed and multi-layered to the point that you can pick up something new with each revisit.
17th Letter is an artist with a clear understanding of crafting an ambiance and a moment both musically and vocally with his releases. Kawasaki introduces precisely that style of creativity in an instant, slowly building a soundscape around its listeners that’s all at once contemporary and calm.
Fusing a fairly retro, ukulele-driven soundscape, and a delicate, distant vocal melody, with a heavy bass-line and a crisp, contemporary rap flow, the song is anything but familiar, and yet it makes perfect sense just the way that it is.
Despite the complex and impressive nature of the instrumentation, it takes nothing away from the natural qualities of the voice. Impeccable production, incredibly skillful and absolutely worthy of any and all praise sent through.
Seeing Hooks By: DJ reach even further with his uninhibited creativity, this collaboration with singer Danielle Hollobaugh makes for a smooth, shoulder-swaying alternative hip hop track with equal parts delicacy and weight.
A lovely lullaby of country pop, sung gently and with its heart on its sleeve. It’s grown up, and measured, but also moving and emotional – as the honesty behind the piece glows through.
Paully fuses the brightness and near-EDM energy of electro-pop with a heavy bass-line and a laid-back lyrical backbone for this latest release.
“What a stunning short journey, in a league of its own right now – following its own rules, making you smile, making you feel free from concern. Escapism at is finest. Creativity and professionalism have intertwined to a superb extent, and it pays off in acres.”
Offering up precisely the depth and perspective implied by the title, Bless Me When I’m Dead brings through a fairly classic beat, rooted in the vibes from hip hop just a decade or two ago.