Mildly tropical in rhythm and pace, otherwise employing retro keys for a consistent two-chord rise and fall, TAKE IT EASY openly encapsulates the very implications of its title.
Producer
New music from ALISA FOX can only mean one thing – turn up the volume and fasten your seat-belts.
Introducing a sublime return from MC Shep, The Breakup To Makeup Mixtape starts off on a smooth and seductive high, and refuses to falter throughout.
An infectious boost of positivity and brightness, which subtly transcends the limits of genre and time.
“I was able to develop my music in a way that pleased me and provided me with what I had been missing for years: intimacy, openness, and fidelity in the sounds of music.”
Creatively unpredictable yet conceptually well-rooted, the brand new EP from producer and artist Purple Tones achieves impressive levels of both nostalgic embrace and unrivaled originality.
Skillfully capturing a precise and fairly profound balance between the delicacy of its artwork and the contrasting weight of the moment, Richard Maxwell delivers a brilliantly original collection of instrumentals.
Steve’s connection to classical instrumentation and the complexities that lie within that has evolved exponentially.
Heavy retro techno meets with crisp contemporary production, as Switzerland producer DJ MATEY releases a host of original tracks.
From one track to the next things continue to shift gears – heavy fuzz and distortion, melody and poetic wonder, moving into arbitrary statements and ambient space.
Re-crafting the space around you with faultless attention to detail, as ever – CRS-1 takes listeners down an entirely new audio pathway once again, with the depth and dramatic edge of SPACETIME.
“Oh, many artists and musicians find their way to this shrine, as it is associated with the deity of art, music and water.”