The Live Sessions is music for music’s sake, and if mainstream culture has made you forget what that sounds like, Torelli and the Fuse are here to remind you.
Pop-Rock
Straight Crazy is a phenomenal collection of 4 of the very best songs from a band that is masterful at their craft. The Muddy Crows’ music and melodies have this almost effortless ability to appeal to fans of just about any genre – without pandering or sounding inauthentic. Not many other artists can claim that, and this is one of the things that make The Muddy Crows such a special band
Facing Dullness is perhaps the best new song I’ve heard so far this year. It takes a moment to really kick in, the overall sound is fairly familiar – warm and indie-pop-like in nature, but once you really hear it; you can’t un-hear it.
The days of colourful riffs and pop melodies infused with hearty rock and roll seemed all but gone in recent years. Enter Life As Mary – a band who brilliantly fuse indie rock rhythms and grit with immediately infectious, likable songwriting.
Boo Cat is alternative, for sure – appealing for its edgy weirdness & the way the music & the voices do whatever the hell they need to. At the same time, the melody is undoubtedly something of an ear-worm – I’d be surprised if anyone could walk away not humming at least one line from the song.
I try to stay a bit away from the realism of life, that’s not what music should be, it’s should be about the beauty and magic of it.
Less important than the genre these days is the songwriting and what you put into it – how much of yourself you allow the music to present, how well structured it is, how easily it connects and entertains or lets an audience escape. You get a good balance of all of this with Cleaned Out.
Junior’s single Love Is Gone is one that swiftly evolves from simple pop to outstanding soul-rock within a few short minutes. Where the verses have a certain delicacy about them, a quietness even, the hook pours through as this completely unexpected moment of brightness – a choir of voices, a multi-layered rock soundscape, and a wonderful reminder of acts such as Queen and Prince alike – a fine fusion of royalty.
You get a notable sense of identity from the sound, and the voice seems inherently connected to the lyrics, so the whole thing just works in the way that you’d hope your favourite band’s music to – each time you return to it.
Independent rock music seems to have reached impeccable new heights throughout 2018, and Amber Creek’s Afterglow is categorically a part of that movement.
The song’s latter half builds up brilliantly, the energy multiples and sweeps you away in the process – making for that perfect musical escapism and providing the necessary energy levels to fill the room and motivate even the tiredest of listeners.
With the support of the band Stevie and the Snowflakes, who helped bring the idea to life, I Believe In Christmas is a pop-rock offering that introduces a refreshing and upbeat new sound this Christmas – whilst still reminding us of all the things we generally love about this time of year.