JRS3 has done well to create something refreshing with this. Instrumentally it works a treat, taking the hip hop sound somewhere new & creative, though with a dash of retro synths & electric guitar – the past & the present meet, along with several genres. An easily memorable & quite addictive hit.
Singles
The beat and indeed the entire groove of this single Over It presents a sort of trip-hop-like aura, though admittedly with more of a constant sense of rhythm and solid progression.
The whole concept could either be deeply metaphorical or completely, sadly literal. This is metal of course, so perhaps both play a part in the truth. As a debut in particular, Trigger is a hard-hitting, expressive & really well crafted track.
pe$o’s N.F.L is a sub-two minute track that weaves a simple but memorable soundscape around its listeners and introduces the artist’s vocal sound and lyrical style in a striking way.
A brilliant rhythm section provides a unique & impressive backbone throughout this instrumental journey. Their music is something of a free-flowing, spontaneous expression of emotions – presented in unity & with an ongoing sense of style & togetherness.
The band offer a thick, punk-pop level of boldness and energy, but they contrast this with delicate, difficult subject matters – a fine balance that you don’t find all too often in modern music.
There’s an underlying, slightly tribal feel to the beat – then you get the vocal rhythm & the sheer passion in Dutty’s voice, the soulful melodic tones of the feature, and some superb electric guitar hits that fill up the outer edges. Originality runs free but it’s also kept relevant by clear threads of ability, truth & professionalism.
Inches From Sin write and perform from the heart, so regardless of genre, it’s a song that connects in a natural, believable way. Furthermore, though the topic is clearly personal & unique in story-line to the songwriters, it’s presented here in a somewhat vague, widely accessible manner.
Lil Tomahawk offers a laid back approach to modern hip hop, fusing rap and melody in a carefree way that suits the simple echo and loop of the musical backdrop pretty well.
Spike’s voice has a traditionally rock-ready tone, so to hear this broken down performance, among talk of the evil of men – it hits with an additional level of pain.
It’s a raw sound, it sounds live – something you don’t get too much of these days. You can hear the band in real time, and the unity between the bass, the guitars, the melody, and the drums – a brilliant performance on the drums – is easy to get on board with.
The song brings together professional performance and production, creativity, passion, and a topic that’s increasingly finding itself at the forefront of modern life.