Mandy McMillan’s return this season brings a beautifully ambient, classic country set-up that’s quick to calm the room.
Nashville--Tennessee--USA
Always an act worth pausing for, though your stillness will be brief in this case – Shane Scarazzini aims higher than ever with an addictively energising, folk-rock knees-up entitled West Virginia Girl.
Paola Proctor “I hope people come out of this experience being kinder to each other and themselves.”
“I feel things very intensely; so if I accidentally hurt someone’s feelings or upset someone I care about it’s soul crushing to me and damn near debilitating.”
Gigs Live are a full service content company with their hearts set on creating a network and community of live music and performance fans across the board.
There are enough disparate rhythms, unexpected melodic developments and snatched moments of character that help set Dream Catcher apart from a lot of its rivals. It feels authentic and McMillan sells it well.
“My plan of action going forward is just to make the best out of these circumstances and stay true to myself as an artist. I hope that we can all come back together and enjoy the atmosphere live music creates in 2021.”
Neill’s story is intriguing from the offset, these three-word phrases rise up and fall down every step of the way, hypnotically laying out the details, setting the scene, to ultimately resolve at the creative peak that is the song’s questioning hook.
“Lyrically, life just inspires me every day. Songwriting has been a therapeutic outlet for me for over ten years and I can’t help but put my experiences into songs.”
The melodies that Megan delivers capture that breathlessness, cleverly using her breathing as a part of the instrumentation. The way she wraps her delivery around the sweet anticipation and nervousness as she hits the big notes on the chorus is tantalising and exciting indeed. Faster made my heart beat faster. It’s a brilliant piece that deserves your attention.
“I wasn’t a person who was born being a good performer. It took me a long time to get comfortable playing on stage and creating energy between me and the crowd.”
This is something like Americana with a rock edge, a layer of synths, superb story-telling, and a near-gospel style performance – not to mention a hearty hit of big-band, piano-led country swing to see things out
As the hook hits, as those voices meet, this moment offers a passionate peak that hits with immense impact thanks to contrast and the way the song builds up to it. That resolve works perfectly, and contrast again runs within as the line itself speaks of condemnation – the end, the curtain closing.