Justine Blanchet takes a subtle step away from classic country vibes with the contemporary pop twists and turns of her new single Heart Less.
Pop
Lifting the pace and passion as the track progresses, Dixie pours her truth into the process, reflecting on longing and love in light of a broken heart and rejection.
Organic guitar creates an instantly uplifting groove, before Zaînab weaves an intoxicating vocal web of melody and confidence, for SOMEONE LIKE ME.
An ever-creative Shaney Poo brings together soul-pop, Gospel and industrial rhythms, for the uniquely melodic, emotive and colourful POM.
Songwriter and artist Irin brings a little identity and originality to modern pop, with the fast-paced, rhythmically addictive and memorable Mad At Me.
Almost feeling like two different songs, ‘Harbor City Blues’ sees Hythum blend stylistic approaches to showcase an artistic overall, but also utilise essential threads of effective musicianship for appealing to a broader audience
A humble yet striking release, from a well-respected band who subtly employ a refreshing level of unexpectedness to each new project.
A strong return to the unexpected yet satisfying and authentically honest traits of Christopher Dallman’s music; those that forever make it so uniquely appealing
Hurt People Hurt People delves into the impact of trauma and heartbreak, whilst delivering a brilliantly-crafted set of tracks uniting RnB, rap and pop in a handful of ways.
As far as acoustic or folk-pop singles go, this balancing of faster bars and softer vocal inflections, alongside a refreshing yet fitting riff that loops and loops, makes for a compelling journey.
Making his appreciation for catchy hooks known from the outset, D’anthony Lorenzo kicks off his self-titled album on an infectious high.
Loaded with sublime guitar and keys arrangements, simple yet striking, as well as faultless yet expressive vocals of notably eclectic origins, The Only Way Is Up makes for a blissful listen.