Songwriter and artist Kampaign Gold continues to create with a certain fearlessness in modern music. His versatility shines from one track to the next, the upbeat energy of Girl Like You followed by the distinctly intimate, acoustic and vulnerable tones of his more recent single Always There.
Emo
Fantastic modern songwriting, as stated, and great production and creative dynamic to hold attention. The music has a joyful kind of synth-led melodic bounce to it, but the lyrics deal with absolute isolation and lostness, and that juxtaposition is mighty.
Striking artwork and a unique fusion of contemporary emo and classic pop punk – Free Mace captures his own artistic identity, with the proudly atmospheric and revealing new album Better Off Bitter.
Ultimately committed to its sense of living life in the fast lane, LaFerrari is all about escapism, and the production, arrangement, songwriting and performance all work to reinforce that.
Tay relays the pain of a life lived amidst both struggle and ambition, and the lyrics that explore this are impressively articulate and thoughtful in their fusion of poetic metaphor and literal references. The result is that the words and the piercing energy of the presentation all connect in a fiercely honest way.
“Fun fact, my mother (for some reason) held headphones with music playing to her stomach when she was pregnant with me. I pretty much have been involved with music my whole life. My father plays instruments in his different Latin bands so since an infant, I always would play for example the drums with him just as a way to bond. “
When In May carve out an emotive and genre-fusing pathway, programmed rhythms juxtaposing the organic and crisp guitar, with a breathy vocal somewhat blurring the lines between emo-rap and The xx.
“I make music for people who feel lost or broken as well as alone and I’m here to remind you that you aren’t alone, I hope to create a positive impact on the people who listen and follow the journey.”
Artistry encapsulated by way of an extensive conceptual project, wholly devoted to its underlying themes and imagery – Kross Irwin screams passionate conviction and compositional prowess, throughout the superb new album the boy who died, but had no funeral.
Encapsulating the purpose of the album as an art-form, Stokerstl presents a cinematic and intricate journey, disguised as a fine collection of indie-pop songs both organic and catchy, for the naturally memorable, thought-provoking Programmed to Exist.
“Anime is a big influence.”
Always there’s a degree of humanity and fearless vulnerability to the writing and the vocal performances. Meanwhile the production varies from one track to the next, supporting but also shaking up the foundations in a way that’s forever compelling.