The track is delicate then heavy, projecting its underlying intentions and the wave-like life of a nihilist in everything from the lyrics to the performances to the arrangement.
A heavy wash of production fuzz meets with crisp guitar riffs and a refreshingly upfront and vulnerable vocal lead for this contemporary emo-rap single from Flatlinerz.
Trap stylings meet with an emotional undertone that creates a sort of vulnerability and intimacy within the song.
Gentle acoustic guitar work meets with equally soft, sleepy vocals for this contemporary fusion of organic & electronic, emo-style song-writing & production.
The lyrics lean back & forth between regret & hope; the past and the future, ultimately balancing somewhere in limbo between mistakes & possibilities.
“The song on one hand is mourning the loss of a life, but also brings into question how to responsibly consume the information that’s coming towards us at light speed.”
Simple yet satisfying dual-riffs offer a guitar-led introduction into this genre-blending, brief yet contemporary and thoughtful new single from STASH STANTON.
In short, Beautiful Crime cries out for all of us, and leaves a gaping silent void behind when it comes to an end.
Prior to the release of next month’s new EP Barbie Demons, we caught an interview with artist and songwriter Yes Daddy, to find out more about the project, songwriting and creative inspirations in general, and hopes for the future. Here’s how it went. * * * Hey – thanks for the interview, and congrats on … Continued
Jana’s way with provocative, powerfully human writing proves mesmerizing in this setting, allowing the song to feel as if it was written purely for you – a rare and commendable trait.
A brilliant single, Estranged Visions utilises contrast to a fine degree, breaking things down to the bare essentials – that soulful, mildly funky guitar rhythm, isolated between moments of full distortion, bass and drums.
Artist and songwriter Alsea Dianna leads with a distinctive sound and songwriting style throughout this new EP.