Increasingly proving as catchy as it is emotionally engaging and dreamy to escape into, Kiss Me Like The World Is Ending emerges like a timeless, addictive indie hit.
Pop Rock
Marc proves the perfect leader, the indie alternative voice in lyric and tone, gifting a less common realm of artistry to confide in and connect with.
Art Auré’s latest single is being released to coincide with her birthday. And in the same way we might wish to prolong our own birthday celebrations, Right Now is a party that certainly deserves re-listens.
“Presenting my fans and the world with a body of work is a musician’s dream.”
An ever-expressive and thoughtful Jana Pochop returns with a beautifully immersive, organic and aptly contemplative, other-worldly lyrical backbone, throughout the wonderful new folk-pop album The Astronaut.
With stunning musicality throughout, a plethora of lyrical gems, and an overall embrace that naturally celebrates the album as an artform in and of itself, this is one worth knowing about.
Cardiff’s long-time legends of synth and songwriting follow up the success of their album with the official single release and remix for This Ain’t Love.
Introducing a personal favourite track from the month so far, Boston’s Electric Standard raise the bar in a subtle yet striking way.
Soul-pop songwriter and artist Vonrenzo takes the classic love song format down a creatively fresh pathway with his deeply moving and memorable new single Wedding Song (Be My Bride).
The sound moves from crystal clear to reverb and effect-drenched throughout a unique fusion of melancholic pondering and outright musical optimism.
Off-rhythms and the lightness of piano contrasted and reinforced by the weight of the bass – Thinkbendy kicks off the new year with a stylish organic project of genre-blending presence, broader thoughts, and catchy melodies.
Retro flavours of guitar funk and lo-fi studio time pour through with a certain joy-inducing sense of story and good vibes – Cloverchild delivers a single that’s as catchy as it is thought provoking.