Employing clear traits of personality in the synths, tones and structure of each piece, Find The Silence ultimately promises an awakening, deeply peaceful yet provocative journey through imaginative traits and turns.
Electronica
Featuring unique licks and riffs that prove easily recognizable amidst this deeply evocative atmosphere of sound, She is Now So Far brings in a guitar-led ambiance, the organic skill and heart of the performance driving us forward through the central theme and mood.
Retro bass-work and funky riffs back up the genre-fusing, guitar-kissed new electronic single from producer Dorothy Zink 1.
Hedy Lamarr and Alan Turing had a phenomenal impact on today’s society, with the former being considered the creator of Wifi and Bluetooth, and the latter deciphering the Enigma code to essentially free Europe from Nazi rule (as well as gifting us the now infamous AI).
Ambient initially, before finding its industrial roots amidst a tribal groove and cascading electronic synths, Moth features a distorted melodic pattern in its first quarter – sort of dark trip hop with a twist of heavier late-night vibes.
Fully-loaded retro synth-wave pours through with a fair balance of melodic threads and euphoric overtones – Nail//Neon introduces this electronic project from Portugal artist Peeedro.
There’s always more light to be found in the world, but not everyone stays long enough to find it. As with all Bad Bubble music, that realism and honesty is key.
Creatively unpredictable yet conceptually well-rooted, the brand new EP from producer and artist Purple Tones achieves impressive levels of both nostalgic embrace and unrivaled originality.
Unexpectedly distorted for a worthy fusion of electro-pop and hard rock, Synthetik Blonde deliver a brilliantly immersive soundscape, with a subtle hit of dance-pop songwriting humbly intertwined.
Re-crafting the space around you with faultless attention to detail, as ever – CRS-1 takes listeners down an entirely new audio pathway once again, with the depth and dramatic edge of SPACETIME.
It’s a hard truth to swallow, and the progression from the poetic imagery and joy of ‘Has the sun been a little warmer?’, to the ultimate self-scorn of ‘I must have been horrible’ is fiercely on point.
As indicated over on Bandcamp, ‘When words leave off, music begins…’. This fact is celebrated throughout the hypnotic multi-layered embrace of an instrumental No Escape.