Never one to stray away from depth, the artist has made sure to craft this project in a manner that allows intense subjects to be lightly presented – they connect in subtle ways, rather than overwhelming the listener.
Rebecca Cullen
TonAsh is back with yet another dance-hall-hip hop smash, fusing high energy, multi-layered beats, with a heavy bass-line and a quickly confident, easy-going subject matter and performance.
The whole thing begins to feel like a circus or carnival-style song – immense energy and multiple layers of colour, but an underlying concept that leans a little more towards depth of thought and even darkness.
Raining down with an entrancing array of synths and a sense of warmth and optimism, the song engages without hitting hard. On the contrary, despite its multiple layers and the weight of the beat, intensity is kept at a distance, and the song in full represents its calming moonlight concept in a consistently easy-going manner.
Klef Mikaydo’s return this month sees the artist storm forward with crisp and clear production, smooth melodies, and a stunning overall performance and song that are quick to impress.
The song offers an underlying sentiment that seems fairly inspiring and of depth – the poetic references intertwine with the inclusion of ‘you’, inviting the listener to consider these ideas, these instances of advice, and to feel the embrace of the music as its weight and intensity fills the room.
Thin Ice is a powerful song that builds up slowly from a bare and intimate introduction to the full warmth and vibrancy of a soft-rock soundscape.
Vegas for so many is a place of high energy and fun – a weekend away, a big event, somewhere you can go to and be someone new or relinquish control for a while. For those who spend their days serving and seeing all of this debauchery take place though, that can be a whole other story. Enter Jimmy, the Las Vegas Grumpy Dealer.
Fresh from the upcoming EP City Of Lights, expected this July, Umair Ali’s Doldrums makes for a delicately breath-taking audio journey that slowly but surely envelops the listener in deeply human thoughts and feelings.
Six O’clock appears unwavering with his thoughtful, conscious writing and the sheer passion and purpose you can hear in his voice and in the surrounding soundscapes.
Guests share their difficulties, their vulnerabilities, and their strengths, and this authenticity is invaluable and often incredibly comforting to listen to. Moments of hardship are contrasted with instances of humour and heartfelt tales, all of which ties together really well within the walls of each episode.
Sad But True is a truly artistic and consistently impressive release that creates its own rules and flows with the natural rhythm of these as it pours through. Lahana’s voice and his style of writing are fast becoming easily recognisable traits within an otherwise overly familiar music world. Creative freedom and identity unite to stunning results.