Pianist and songwriter Marshall Oakman celebrates the female half of the population with a colourful pop-rock anthem of timeless presence and topical optimism.
Rebecca Cullen
The latter half is sensational, superb production lights up the room, leaving you in a celebration of optimism that’s broadly juxtaposed by the insult and unsettling self-awareness of the lyric.
Vocally supreme and easily one of the most uplifting singles from Emily yet, Limousine takes metaphor to the next level, and blends the classic power of country songwriting with a clear edge of contemporary pop.
Beautifully peaceful, breathy and calming, inspiring a sense of possibility in times of struggle – talking openly on depression in a relatable, powerful way.
Retro in image and style but crisp and impressive in content and overall production – 20DUCE drives with vocal intensity and smart, quirky yet intentional bars throughout a compelling and classic anthem that is O.G.
West Ingston keeps things musically fresh and conceptually pure, as a poetic and moving Bone Apple Tea relays the ache of toxicity in love.
Just fifteen years of age and aiming high with a rap freestyle that draws you in and holds you captive for a mere yet mighty minute.
Dark poetry and emo-rock vocals seductively blend the contemporary scene’s tone with a strangely captivating lyrical backbone – Neil Stevenson’s debut EP seeks out beauty in times of struggle
If vast and profound escapism is the required artform, Forest Robots, this album in particular, has it mastered.
Driving with pop-rock sensibilities and smooth, softly expressive vocals, there’s a refreshingly clean mix to the track, and a clear strength of songwriting that shines with increasing brightness throughout.
“Every person who knew me at one point, wrote me off as dead, because my addiction was so bad – no one thought I was going to make it out alive.”
Explosively creative, the magnetic master of metal Dan Wande takes things to the next level with this short yet striking new collection.