Smartly crafted, lyrically pristine and intelligent, poetic and powerful, Days Are Numbered introduces the talent and heart of Troy Remedy in a memorable way.
Rebecca Cullen
Theatrical as ever and fearlessly blending genres with an equally stage-ready presence and multi-coloured set-up.
The unmistakable Sara Barta kicks the fun back into modern pop with this colourful new anthem anticipating the energy, romance and escapism of the weekend.
Vai van Vaughan keeps things refreshingly creative, offering a genuinely uninhibited way with artistry and music.
Ethereal ambiance and smooth, intimate vocals unite melody and mood, throughout the deeply personal yet hypnotic and immersive agmdre single Disconnected.
Bridging the gap between contemporary rap tones and timeless melodic progressions, Yung Deeg gets the production and songwriting just right, throughout this aptly relevant anthem White Wine.
Born to perform vocals front the adept and engaging Bad Mary, and with work ethic and talent combined, their audience is rightfully expanding.
Introducing a five-minute epic of mellow poetic flavours, rising into vastly immersive and passionate peaks – the Middlebees deliver a timeless anthem, with Maybe I’m Dreaming.
Utilising aspects of heavier rock amidst the softer folk tendencies of the smaller live scenes, the sound has identity and familiarity combined.
The whole thing captivates, compels you to listen and fall into the groove, and prompts a sense of connection with the artist for that realness and poetry alike.
Addictive industrial rhythms create a uniquely tribal vibe as Neebu delivers the alluring and immersive new track The Heist.
Naturally balancing gritty rock vocals with emotive long-form melodies and often piano-led arrangements, Hello Fiasco drive with strength of identity and lyrical depth.