Proving increasingly likeable in their originality and expressive devotion alike, Poundshop Parka lead with acoustic fingerstyle and neo classical subtleties throughout the single Room.
USA
Bringing together fragments of nostalgic RnB with dance-pop layers of detail, Chanelle Gray delves into the relentless ache of trauma, with the uniquely genre-blending single Hurt People.
Crafted with care and increasingly emotive as a result, Theo Blixth kicks off the EP THEODORE with the blissfully devoted sentiments and sound of a sublime title-track.
Conceptually devoted and musically infectious, Miss Independent brings together focused writing, catchy melodies and soulful vocals, for an International Women’s Day release that subtly inspires.
Undoubtedly an artist with his roots in various cultures and genres, this project draws focus to eclecticism and musicality in a wholly engaging, bold and impossible to ignore fashion.
From the immediate appeal of fast-paced yet catchy melodic sound-play, through carefully programmed rhythms, colours, keys and synths, The Music Masters build up an immersive realm of electro-organic escapism.
All at once the sound is familiar and admittedly fresh – high-octane power chords and gritty, industrial solos prove both exciting and a fitting tribute to yesteryear’s alternative rock.
The more you listen, the more you hear. A welcomed touch of aptly titled Radical Reality, just when we need it.
Stylishly dreamy production injects a creative edge into the lo-fi rhythms of the contemporary scene, and meanwhile we get a blissfully delicate, soulful vocal lead of RnB tendencies.
Retro synths and smooth vocals light up the new trap-pop anthem from Cush Wallace.
Songwriting on top form, riffs at their best, rhythm relentlessly gripping – an explosive start to an extensive, purposeful album.
Evolving explosively throughout, Baby Song begins as something fairly familiar, and later becomes its own unapologetic animal of a track.