From the immediate appeal of fast-paced yet catchy melodic sound-play, through carefully programmed rhythms, colours, keys and synths, The Music Masters build up an immersive realm of electro-organic escapism.
USA
All at once the sound is familiar and admittedly fresh – high-octane power chords and gritty, industrial solos prove both exciting and a fitting tribute to yesteryear’s alternative rock.
The more you listen, the more you hear. A welcomed touch of aptly titled Radical Reality, just when we need it.
Stylishly dreamy production injects a creative edge into the lo-fi rhythms of the contemporary scene, and meanwhile we get a blissfully delicate, soulful vocal lead of RnB tendencies.
Retro synths and smooth vocals light up the new trap-pop anthem from Cush Wallace.
Songwriting on top form, riffs at their best, rhythm relentlessly gripping – an explosive start to an extensive, purposeful album.
Evolving explosively throughout, Baby Song begins as something fairly familiar, and later becomes its own unapologetic animal of a track.
Heavy bass and a quickly addictive vocal hook make for a dark and catchy anthem from rapper and artist 076Ohone.
An ever-contemplative and reflective Mr. Faia delivers his latest collection of instrumentals, under the invitingly titled and aptly colourful project of Places I Call Home.
Softly enchanting vocals whisper a catchy, intimate melody – alongside the simple appeal of electro-organic pop, as Orlost slowly but surely develops a wholly immersive dance realm.
Delicate acoustic finger-picking and breathy vocal harmonies guide us hypnotically into the rise and fall of Mighty Mage’s new album.
From simple, retro keys to the full-throttle embrace of a multi-layered, riff-loaded soundscape, Noah Fabray leads with style and catchy hooks combined.