For a gunslingin’ good time, upbeat rhythms and slick guitar riffs, an old-school western vocal and a classic country rise and fall in both the story and melodic progression – Ace Diamond captures the good vibes of times past, with The Baddest Gunslingin’ Man.
USA
An old-school drum-line with a Philadelphia groove about it, blending smoothly with world music tones and organic layers of synth / string / voice… An intoxicating mystique, and a melancholic aura from the chords to back up the instant escapism of the track. Beth Gladen sets herself apart from the crowd, with the beautifully original, piano-led trip-hop and alternative essence of Re-Birth.
Instantly presenting with the raw purity of a live piano performance, complete with the weight of the keys and the natural reverb from the pedals, The Awakening is quick to intrigue for its sense of melodic originality. We progress through almost 4.5 minutes of music, an explosive mid-section injecting sheer power and tempo and fullness, in between two halves that feel both united in their tuneful direction, and unconfined by the walls of expectation.
We hear fragments of anger, gritty reflections and ideas, but otherwise it’s the music that takes precedence – which is actually a brilliant encapsulation of the very concept at hand. The voice of conscience is quiet, taking a backseat over the stylistic requirements of a mainstream audience. “I sold out… I f*cked up…” These words are nearly silent echoes amidst an otherwise celebratory instrumental wave of music.
An intoxicating ensemble, both immersive and distinct from the outset, sets the listener off on a journey that’s perceived to be something specific, and soon reveals itself to be something else entirely. Octopus Fugue is a project newly founded in 2024, a creative collaborative venture, inspired by rock and metal but drawing influence from a … Continued
Backed by a clear and concise knowledge of music’s past, The Karma Of Trust offers a heavy opening track, both political and topical, before proceeding into an album that’s self-described as something purely for ‘the people’.
Heartfelt piano-led arrangements and passionate vocals guide us through a contemporary collection of tracks – ASchurtz captures a sense of enchantment and vibe, with the likes of Red Lights.
Genre-fusion with a heavy bass-and-beat combination, N4UGHTY BLUE is a seductive late-night track that’s strictly for mature audiences, and both the music and visuals refreshingly hold true to this focused mood and intention.
Featuring programmed vocals with an energising twist, Lost is a well-crafted pop song at its core, detailing our protagonist gearing up for the day ahead – walking off into the freedom of the world, without a care or concern to hold him back.
Ambient rock and a choir of voices back up a spoken religious segment, as Craig Bannerman’s latest Christian Metal creation gears up for an explosive journey through conceptual contemplation.
Anthemic indie rock with a gritty vocal lead, just enough reverb to soften and elongate each resounding line – Nicholas Bak delivers a sharp and smooth Americana sound, with the opening track of the eclectic EP Long Time Coming.
From the two-track release Nyxora, Shivaansh Narendra introduces a wholly immersive modern style, fusing electronic and AI production details across an apocalyptic and evocative story and sentiment, as Neon Gods lights up a distinct and hypnotic new sound.