LA’s evan huey creates a hypnotic ambiance with this new hip hop soundscape and song entitled Tuesday.
Los Angeles--California--USA
It’s a pleasure to listen to a project that so professionally captures the essence of timeless dance music yet also manages to effectively put its own stamp of creativity and freshness on things.
Swami Lushbeard have struck gold with this new single – stylistically, performance-wise, and in terms of the very songwriting and its poignancy right about now.
The mix is a little muddy, as befits the genre, but I like it – it feels retro, knowing and modern all at once, and the hooks are all very much in place. Strap yourselves in!
Releasing to the masses on an aptly chosen September 11th of this year, Brannon offer up a 13-track collection of acoustic rock ballads, and showcase undoubtedly passionate, powerful performances right the way through.
LA’s Martin Brothers return this summer with a fully conceptualized new single and video, and it welcomes in a brighter section of the year with beauty and optimism.
Clean-cut vocals and heavy bass-work meet with faultless rhythm from both the voice and the soundscape, enveloping listeners in this story-line of the climb towards success.
Not only does Hate On Me fit well amidst the sound of 2020, but it leads with a quickly addictive, memorable melody, and a level of color and optimism in general, which effectively help elevate the whole thing.
Owl Green has crafted a catchy classic with this release, refreshing for its clarity and openness, infectious for its pop-like rhythm and colour and its clever use of melody.
Throwing fans another unexpected curveball, LA’s Love Ghost offer up a personal ode to a country they adore, by covering this renowned Japanese ballad Uewo muite aruko (English title : Sukiyaki).
It’s the best of both worlds – the perfect accompaniment to that long commute (or late night contemplation of life), and a brand new creative to turn to whenever you crave music with real connection and authenticity.
Pristine sound design allows a bass-heavy introduction to contrast rather blissfully with some opposing, lighter layers of vocals, synths, details, to kick off a surprisingly creative Kisses from the one and only SO.