An easy place to escape for a while, with a refreshingly unexpected conceptual backbone to enhance the effect.
RnB
Seamlessly blending French and English lyrics amidst a dreamy production of string-like synths and ambient intricacies, Love Is Gone features both classic RnB threads and contemporary mixing, for a fresh take on a timeless genre.
The style immediately paints an image of an aptly isolated creative, lost amidst the wonder of writing and indeed the search for musical satisfaction; as well as an understanding of the self.
An ever-creative Shaney Poo brings together soul-pop, Gospel and industrial rhythms, for the uniquely melodic, emotive and colourful POM.
Hurt People Hurt People delves into the impact of trauma and heartbreak, whilst delivering a brilliantly-crafted set of tracks uniting RnB, rap and pop in a handful of ways.
Making his appreciation for catchy hooks known from the outset, D’anthony Lorenzo kicks off his self-titled album on an infectious high.
Loaded with sublime guitar and keys arrangements, simple yet striking, as well as faultless yet expressive vocals of notably eclectic origins, The Only Way Is Up makes for a blissful listen.
Celebrating the win and overcoming in an inspiring way, Langston Blu’s return unites retro piano, trap rhythms and smooth, soulful vocals.
Trippy design and soulful, meandering RnB vocals make up the uniquely genre-fusing sound of Mia Ayana’s EP Beautiful.
Mic Fort brings through a multi-genre classic with this single, trap rhythms and nostalgic horns juxtaposing one-another for a fearless sense of musical versatility.
Martina Stokes celebrates all things Pop and RnB, whilst delving into the ups and downs of love, with this organically-rooted, cleanly-mixed and high-energy new single.
During the latter half we get to appreciate the reverb-soaked, atmospheric presentation of a dreamy guitar loop, and a touch of Caban’s own affinity with afrobeats, modern rap and world music flavours.