“Expect that some people may hate what you’re doing, but do it anyway! Criticism is inevitable and some people allow the opinions of others to destroy them.”
Pop Rock
What starts out as a fairly simple, nostalgic and deeply introspective track – mellow emo-rock from the nineties comes to mind – soon evolves into a uniquely creative piece, which stylishly balances the delicacy of indie-pop with the absolute grit and roar of metal.
Pure rock bliss and absolute character pour through with Jozsef James’ new soulful and hard-hitting single.
The hook circles around you, repeating and building up even more-so every time – meanwhile it sinks in quickly, leaving you singing along in an instant, and even considering the poetic depth underneath it all.
This is beautiful, a refreshing and professional yet incredibly creative and expressive sound.
Featuring crisp, clean, soulful vocals, feeling straight out of a nineties emo-rock outfit, and a soundscape that leans back and forth between acoustic delicacy, theatrical scene setting – complete with a spoken monologue – and dreamlike electronic ambiance, the song is unlike anything else you’re likely to stumble upon of late.
Songwriting stands tall on this one, short lines walk you through a long-form yet rhythmic melody, by means of a surprisingly gentle leading voice – a quality that proves recognisable and unique to the Plastic Barricades sound.
Telling the story of divers watches under the sea, Island Of Tears fuses a reggae rhythm with a chorus of voices and flickers of distorted electric guitar.
Just before putting on a stunning live show at Cardiff’s Acapela Studios, the one and only David Ford kindly sat down for a chat about all things indie, songwriting, performance, promotion, and much more.
Effectively bridging the gap between pop-rock and lo-fi, almost shoe-gaze-like tones, the single rains down with organic purity, engaging rhythms, and crisp, clean nostalgia.
The ultimate big finish, guitar solo and outburst included, wraps things up in a stylish, intentional, Bond-esque manner. Great work.
The final moments lead you through a likable big finish – the sound grows all the more full, brighter and indicative of togetherness at the height of realization and, consistently, absurdity.