Securing that exponential growth for their united balancing of work ethic and talent, Big O and L.O.U branch out further still, with the release of the four-way collaborative indie gem Ms. Takes.
Hip Hop
“That’s the fun about music creation. Stay consistent while making music and the confidence will build.”
Fully-loaded electronic production blends ethereal synths and trap rhythms, as artist and songwriter x ohh delves into the conceptual depths of the mind, for COMMS.
The entire first half blends genres with fearless conviction, not simply hip hop nor trip hop nor anything else – its own envisioned take on the inspiring concept of rising up from darkness towards the hopeful realm of dreaming.
Experimental electronic sound-play rains down with darkness and intrigue, as the unique performer and artist Tate Pouncey introduces a distinct style, with plenty many man.
Re-crafting an instant anthem that rightfully boasts close to a hundred thousand streams on Spotify alone, organic piano and catchy, high-energy bars unite, for the funk-infused and infectious Never Drinking Again.
Lyrically this is some of his best work, as ever the bars captivate and intertwine shock factor, emotion and smartly-framed references on modern life.
Self-awareness and compelling levels of confidence elevate the classic Hip Hop groove and quirky yet conscious traits of SirSeansWorld latest anthem ImJustADouche!
Setting the mood from the outset, Fearless introduces an easy yet effective production style – blending just a few minimalist layers of synth, rhythm and bass, to back up a rise and fall vocal verse that’s hypnotic and smart.
Soulful ad-libs and gritty bars unite with euphoric layers of synth and melody, for a boldly passionate take on contemporary trap.
Fusing world-music flavours, retro electronic rhythms and extensive vocal threads of melody and lyrical depth, UK songwriter and artist TaniA Kyllikki delivers a boldly unique overall style.
“Truth spewed from my heart about my ex to all of you; I’m sure many can relate.”