He uses his voice for texture as much as for carving out an individual niche as a vocalist and I’m led to the conclusion that Ete serves the song. Whatever is needed to serve the song is the right artistic choice, and I can only applaud decisions like that with all my heart.
Albums
D’Antre impresses with smooth yet softly raspy vocals and a selection of engaging melodies on this latest album. Beginning with the poetic and expressive Last Night, the project involves the listener from the offset, whilst also proving deeply personal and intimate in nature – walking the line effectively between exclusivity and accessibility.
Chris Nole manages to captivate throughout this project, in the same instance as paying a more-than worthy tribute to the blues and its 100+ year history.
The love story is tried and tested, known by most and represented vastly in music, but in the case of (this love is) eternal, the whole thing has been given a new lease of life – a new angle, a new manner of expression.
This music is, by all accounts, the sort of near-trip-hop, meditative experience deep thinkers crave for a little calm & insight. What makes it stand out though, is the organic nature of the instrumentation, and the carefully selected structures that feed certain moments & flickers of soul & passion into the process.
Tommy Ocean is not only an easy name to remember but one that proves more than worthwhile doing so once you’ve spent even just ten minutes with this album. There’s a certain purity to his sound, which fuses beautifully & authentically with the deeply considerate, honest & insightful manner in which he writes.
Fusing a little of The Temper Trap with Of Monsters and Men-style vocal pairing, and a poetic, melodically entrancing songwriting style fit for the likes of Coldplay, Miccoli introduce themselves with soul and strength on this album.
DOC’s truth runs free on this album, in subtle but certain and smart ways, and this is the final building block that takes the album higher than eve.
Composer and musician P John Livingston is a talented and passionate creative whose keyboard lead work has produced some decidedly impressive and original performances in recent years.
Whereas some works can be hard to review, this wonderful collection wears its influences on its sleeve and is all the better for it. Unashamedly complex arrangements with no flab, terrific performances all round… what’s not to love?
In an age of pitch correction and quantised instruments, here is a journey into sound that allows you to hear every pluck, every strum and every word with a vibrancy and clarity that speaks volumes about the live experience and about an exceptionally well-rehearsed band that have been honing their craft and chemistry together for the best part of twenty years.
Showtime Shegz digs right into contemporary turmoil and seeks to inspire and motivate with this album release, drawing you in from afar with some of the most intriguing artwork to emerge in recent years, and quickly sealing the deal with an opening track that directly and unabashedly addresses his desired audience in an open, honest way.