Paully fuses the brightness and near-EDM energy of electro-pop with a heavy bass-line and a laid-back lyrical backbone for this latest release.
Rebecca Cullen
An absorbing and incredibly calming show to listen in on, not purely because of the hosts’ honest and genuine outlooks, but because of the accessible way in which they re-define and explain certain aspects of contemporary life, somehow simplifying complex topics and provoking a more selfless sense of involvement.
“What a stunning short journey, in a league of its own right now – following its own rules, making you smile, making you feel free from concern. Escapism at is finest. Creativity and professionalism have intertwined to a superb extent, and it pays off in acres.”
Offering up precisely the depth and perspective implied by the title, Bless Me When I’m Dead brings through a fairly classic beat, rooted in the vibes from hip hop just a decade or two ago.
Absolute Doubt and Lucki collaborate to bring music fans a brilliantly dreamlike EP, fusing superb sound design with a laid-back and sleepy vocal delivery, creating the kind of late-night vibe insomniacs and those at the end of a long week alike will revel within.
CEO Fields drives with a clear understanding of and connection to the importance of hard work and dedication in line with a natural talent and passion for the process. This is the method for success, and 25/8 deals with it directly, and it does so amidst a fairly unique beat; and with a quickly engaging pair of vocals.
Vampire Son is a fierce and fiery new track, multi-layered and colourful but in a subtle and intentional manner, and perfectly well balanced in terms of matching great songwriting with superb production. An absolute winner of a come-back.
The Keymakers are consistently perfecting their craft, working on those qualities that already come naturally to them, and that’s why every release they present leads its listeners down an enchanting and endlessly impressive pathway
The Calypso Twins first went public with their sound live on TV, way back in 1990. What’s great is that the musical-comedy duo return this summer with just as much vibrancy and love for music and performance as ever.
All in all, considering the concept, the musical set-up, the melodic development, and the performances, Put You Down Tomorrow is superb – a brilliant song with a well-rooted and genuine sentiment. It’s absolutely no surprise this release is doing so well across the airwaves.
Not for the faint of heart, Puke & Barf live up to their name with these visuals. Defiantly a step in a more distinctive and musically satisfying (no pun intended) direction for the creative duo.
Rare Blend’s Ritz Murphy branches off into the solo world to present music fans with this impressively retro and colourful new track – one that effectively fuses classic boy-band tones with a notably more experimental, industrial style beat and set-up.